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Missing the Vital Spark

Mark Ford: Tony Harrison, 13 May 1999

Prometheus 
by Tony Harrison.
Faber, 86 pp., £8.99, November 1998, 0 571 19753 1
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... this attribution has been made with particular force in recent decades, most compellingly by M. Griffith in The Authenticity of ‘Prometheus Bound’ (1977). In a recent edition of the play in translation, Michael Ewans argues that ‘in dramatic style and technique, as well as language and poetic style, Prometheus is ...

Davitt’s Part

Charles Townshend, 3 June 1982

Davitt and Irish Revolution 1846-1882 
by T.W. Moody.
Oxford, 674 pp., £22.50, April 1982, 9780198223825
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... active and gentlemanly-looking; his age is about 30 years.’ Such was the picture of the young Michael Davitt, Fenian suspect, produced by the police detective who was watching him in 1869. (In fact, he was working-class, and 24 years old.) Somewhat later, after seven years’ penal servitude, he was seen by the Irish Parliamentarian F.H.O’Donnell as ...

Diary

Jeremy Harding: On the Tyson Saga, 31 August 1989

... it was a left hook which put him away after 93 seconds (two seconds more than it took to deal with Michael Spinks last year). The Guardian reporter said the critical punch sounded ‘like an axe going into wet wood’. On TV it looked less impressive. Besides, Mailer used that image to describe the death of Benny Paret in Madison Square Garden 27 years ago at ...
Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot 
by Michael Rogin.
California, 320 pp., $24.95, May 1996, 0 520 20407 7
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... Is there anything stranger than a pop star out of time? Before Elvis Presley, before Michael Jackson, there was Al Jolson – ‘the most popular entertainer of the first half of the 20th century,’ as Michael Rogin describes him. Eyes wide and mouth agape, arms outstretched and face painted black, Jolson concludes his performance in The Jazz Singer (1927) down on one knee, serenading the delighted actress who plays his mother in a voice as strong and piercing as a foghorn ...

How Movies End

David Thomson: John Boorman’s Quiet Ending, 20 February 2020

Conclusions 
by John Boorman.
Faber, 237 pp., £20, February, 978 0 571 35379 8
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... undistracted by ambition. Boorman may be the most inspired and wayward of English directors since Michael Powell.Not that Powell would have attempted Point Blank. Not that anyone in 1967 had reason to think that a young Englishman raised on the leafy edges of south London (Carshalton, and later Shepperton) would know how to go to Los Angeles (and San ...

Hoydens

Susannah Clapp, 18 February 1988

A Woman of Passion: The Life of E. Nesbit, 1858-1924 
by Julia Briggs.
Hutchinson, 473 pp., £16.95, November 1987, 9780091682101
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Narratives of Love and Loss: Studies in Modern Children’s Fiction 
by Margaret Rustin and Michael Rustin.
Verso, 268 pp., £22.95, November 1987, 9780860911876
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... boy poet and his spirited sister. The weed’s name is Noel: Mrs Briggs has discovered that Noel Griffith, a friend of Reynolds and Barron, was another of Nesbit’s lovers. His twin – a continuously praised creature whom Mrs Briggs sees as ‘an image of E. Nesbit’s energetic and dominating side, standing guard over a less confident but more creative ...

Judges and Ministers

Anthony Lester, 18 April 1996

... These attacks have been concerted, populist and unfair. They have been led by the Home Secretary, Michael Howard (a frequent and bad loser in the courts), and the Chairman of his Party, Brian Mawhinney, who has urged Tory hangers and floggers to write in and complain about lenient sentencing on the part of judges, and has put out as party propaganda a ...

Moral Lepers

John Banville: Easter 1916, 16 July 2015

Vivid Faces: The Revolutionary Generation in Ireland, 1890-1923 
by R.F. Foster.
Allen Lane, 433 pp., £10.99, May 2015, 978 0 241 95424 9
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... no reference to Republicanism’. Similarly, and just as surprisingly, Townshend quotes Michael Collins, who had fought in 1916 and three years later became president of the IRB Supreme Council, insisting that ‘the cause was not the Irish Republic’ but ‘liberation from English occupation’.* Certainly it ‘did not change the relationship ...

Get off your knees

Ferdinand Mount: An Atheist in the House, 30 June 2011

Dare to Stand Alone: The Story of Charles Bradlaugh, Atheist and Republican 
by Bryan Niblett.
Kramedart, 391 pp., £19.99, January 2011, 978 0 9564743 0 8
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... consequences such intercourse entails upon them.’ After this effusion, surpassing even Mervyn Griffith-Jones’s remarks in leading the prosecution of Lady Chatterley’s Lover 80 years later, it was not surprising that Jessel ordered custody of Mabel to be given to Besant. Annie then launched an appeal for a judicial separation, which Jessel ...

I’m Getting Out of Here

Leo Robson: Percival Everett, 3 November 2022

Percival Everett by Virgil Russell 
by Percival Everett.
Influx, 271 pp., £9.99, September 2021, 978 1 910312 99 5
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Erasure 
by Percival Everett.
Faber, 294 pp., £8.99, August 2021, 978 0 571 37089 4
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The Trees 
by Percival Everett.
Influx, 334 pp., £9.99, March 2022, 978 1 914391 17 0
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... parse and digest. Coetzee won his Booker Prizes for portrayals of South Africa (Life and Times of Michael K and Disgrace). Everett gained recognition for a novel about an African American novelist, Erasure (2001), and was included on this year’s Booker shortlist for The Trees, a counterfactual comedy set in 2018, in which Emmett Till returns to Mississippi ...

When the beam of light has gone

Peter Wollen: Godard Turns Over, 17 September 1998

The Films of Jean-Luc Godard 
by Wheeler Winston Dixon.
SUNY, 290 pp., £17.99, March 1997, 0 7914 3285 8
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Speaking about Godard 
by Kaja Silverman and Harun Farocki.
New York, 256 pp., $55, July 1998, 0 8147 8066 0
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... and considered re-evaluation of classic American cinema. Godard recognised Hitchcock and Lang and Griffith as great masters – alongside Rossellini, Renoir and Eisenstein – but he also recognised the strengths of marginal and eccentric Hollywood productions, the odd films out of the studio system. Talking about his second film, Le Petit Soldat, he invoked ...

‘What is your nation if I may ask?’

Colm Tóibín: Jews in Ireland, 30 September 1999

Jews in 20th-century Ireland: Refugees, Anti-Semitism and the Holocaust 
by Dermot Keogh.
Cork, 336 pp., £45, March 1998, 9781859181492
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... to the newspapers attacked the influx of Jews, others also came to their defence, most notably Michael Davitt, the leader of the Land League. ‘The Jews have never to my knowledge done any injury to Ireland,’ he wrote in a letter to the Freeman’s Journal in 1893. ‘Like our own race, they have endured a persecution the records of which will for ever ...

Diary

Iain Sinclair: London’s Lost Cinemas, 6 November 2014

... was ‘the first man to come from acting to directing’. Thereby erasing at a stroke D.W. Griffith, Erich von Stroheim, Orson Welles and Laurence Olivier. To say nothing of Chaplin. But, as Gareth Evans told the faithful few at the London College of Communication, performance spaces kindly disposed towards historic films were disappearing fast in the ...

Where be your jibes now?

Patricia Lockwood: David Foster Wallace, 13 July 2023

Something to Do with Paying Attention 
by David Foster Wallace.
McNally Editions, 136 pp., $18, April 2022, 978 1 946022 27 1
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... about tax accountants. One, and the most obvious, is a novel about Irish dancers on tour with a Michael Flatley figure whose influence grows more sinister over time. Pounds of verbal oil will be poured into his perm; his bulge will almost rupture his trousers. His backstory – but surely you can picture it. One dancer is addicted to weed, another feels ...

Spaces between the Stars

David Bromwich: Kubrick Does It Himself, 26 September 2024

Kubrick: An Odyssey 
by Robert P. Kolker and Nathan Abrams.
Faber, 649 pp., £25, January, 978 0 571 37036 8
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... existed yet, but you could buy a ticket to the Museum of Modern Art, where they showed Chaplin, Griffith, Von Stroheim, Eisenstein, Murnau, Pabst, Lang. For the greats of the silent era, Kubrick seems to have felt a veneration free of envy. The typical American product of the 1940s drew a different response: he was sure he could make something better. For ...

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