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“... between the anti-institutional impulse of Dada (apart from Duchamp, Hamilton was an advocate for Kurt Schwitters, whose Merz Barn in the Lake District he helped to save) and the constructive pedagogy of the Bauhaus (he had close ties to the Bauhausian Hochschule für Gestaltung in Ulm). By the same token his practice was animated by such tensions. For ...”

“... at Hutchinson Camp that the members of what became the Amadeus Quartet got to know one another. Kurt Schwitters was not Jewish, but his work had been included in the Nazi denunciation of ‘Degenerate Art’. Having fled first to Norway and then to Scotland, he was interned in the summer of 1940 and held in Hutchinson Camp for more than a year. There ...”

“... imagery that now interested her, via collage towards painting. There were influences such as Kurt Schwitters and Max Ernst that she shared with Blake and others, and more unusual enthusiasms too, including the graphic ‘collage novels’ of Norman Rubington and the work of Sonia Delaunay. Delaunay wasn’t much in fashion at the time, but the ...”

“... poem’s reception, a bizarre compilation of ‘sources’ ranging through Smart and Shelley to Kurt Schwitters and Lorca, much of Ginsberg’s correspondence from the mid-Fifties, and a history of Howl’s ludicrous trial for obscenity in the San Francisco courts – the best the prosecution could muster was a private English tutor called Gail Potter ...”

“... sifting detritus, giving value to trash was Raworth’s method, right back to the handling of a Kurt Schwitters notebook (taken from a glass case in the V&A). TV is the ultimate collage, video-slurry, war soaps, old movies. Junk, watched without prejudice, but with a proper discrimination, becomes prophetic. sitting in the path of a high intensity ...”