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“... as the Lucas van Leyden, a painting I find ravishing but can’t find much to say about, is John Sell Cotman’s Greta Bridge, a watercolour in the British Museum. I was brought up on Cotman, in that they have a very good collection of his work in Leeds, most of it bequeathed by Sidney Kitson, who was so fond of the artist he was said to suffer from ...”

“... and the latest drug culture. It was to cocaine (the snuffed, not the smoked variety) what John Barleycorn was to booze, what Naked Lunch was to heroin and what Dog Soldiers was to hallucinogens. Anyone who read Bright Lights, Big City could feel an expert on the modish drug of choice, even if he had never put anything stronger than Friar’s Balsam up ...”

“... not replace practical images that taught foetal presentations and interventions. The York midwife John Burton commissioned George Stubbs to draw birth figures for his new manual; Stubbs mostly painted portraits of horses, and the learning curve was steep. His foetuses are ...”

“... his intellectual commitment to incarnation, he was liable also to question material reality. John Heath-Stubbs quotes him as saying that ‘the most difficult thing in the world … is to realise that other people exist.’ He was capable of writing both an ode in praise of shitting and a poem in which such everyday ...”

“... verse (from Anon on the structure of the cosmos – ‘as appel the eorthe is round’ – to John Updike on cosmic gall), is therefore fighting a lost battle. The editors make out a brave case for the similarity of poet and scientist (‘the starting-point for both of their activities is the imagination’), dispute old distinctions between ...”

“... freer than most of blindness to the Celts. But Henry Hallam, F.W. Maitland and, above all, William Stubbs are presented as the high priests of inveterate Englishism. ‘Despite their immense erudition and their enormous services to the subject, all these scholars positively crowed with nationalistic self-satisfaction.’ Moreover, the multicultural Davies ...”

“... Much better use could have been made of Robert Brentano’s amazing essay on ‘The Sound of Stubbs’, which gets an endnote. But such lists are unimpressively easy to compile and doing so is a sort of Actonian party game, though one encouraged by Kenyon’s general tone and approach. True, the discussion teeters on the edge of academic voyeurism. How ...”

“... for instance, Burns Singer, one of the most original poets of the Fifties, or David Wright and John Heath-Stubbs. All three were friends of Graham, and their inclusion might have helped the Forties and Fifties out of their New Apocalypse v. Movement stand-off. Hamish Henderson, whose 1948 Elegies for the Dead in ...”

“... by an unreality which can seem pernicious. A Constable sketch hanging nearby, and even Edward John Gregory’s jolly picture of boating on the Thames, Sargent’s picture of a boy by a river and Munnings’s Friesian Bull, all of which say more about the look of things and less about dream worlds, are not so embarrassing.Lever’s collecting was not ...”

“... hitherto regarded as talentless, overrated, or simply wankers: Oasis, the Stones, Paul McCartney, John Lennon, Robbie Williams, Kingsley Amis, Martin Amis, Evelyn Waugh, Auberon Waugh, Salman Rushdie, Jeffrey Archer, Tony Blair, Gordon Brown, William Shakespeare (although to be fair they despise the comedies and some of the history plays only). ‘It is ...”

“... the history of the country itself: history equalled politics, and politics equalled Parliament. Stubbs structured the 14th and 15th centuries around what were, after all, intermittent and occasional meetings of this supposedly representative body; the Tudor century received blame for not having a true parliament, one worthy of the name, since the monarchs ...”

“... Farley’s 1783 edition of Domesday Book published by Phillimore under the general editorship of John Morris, as part of their ‘History from the Sources’ series. This was put in hand in 1969 and the first parts were published in 1975; the work was delayed by Dr Morris’s death in 1977. This now-completed edition, which includes a supplementary-volume ...”

“... for – not least because the post-apocalyptic world may yet seem to them more all-American, more John Wayne, than the current state of the nation. The zombie genre immerses you in a world of unending threat, where the only human contact is collaboration without closeness, where random cruelty is the rule, and life closes down on you as an experience not only ...”

“... jacket. Like the jacket of the recent reissue of a novel of my own, it reproduces the Liverpool Stubbs, ‘The Green Monkey’. But Mr Turner’s subtitle is ‘Animals, Pain, and Humanity in the Victorian Mind’ (in which the superfluous comma after ‘pain’ might pass, if one is being polite, for pastiche of Victorian punctuation). It sits ill on a ...”

“... the ‘deeper thinkers’ of the 1870s, carrying forward the social conscience of Dickens, while John Everett Millais, no less than his French homonym, possessed a manner affectingly and ‘personally intimate’.In chasing the works that Van Gogh looked at in London, the Tate exhibition takes us on some journeys in taste. It is easy enough to be stirred by ...”