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“... John Minton’s face is familiar – if not from the self-portrait now in the National Portrait Gallery, then from the likeness he commissioned from Lucian Freud and bequeathed to the Royal College of Art. It is very long, large-eyed, hollow-cheeked, with a receding chin and dark tousled hair. Photographs suggest that the self-portrait is a better physical likeness; the truth about his emotional state seems to lie with Lucian Freud ...”

“... triumph of a perverted and endlessly corrupting liberalism’. After a drive-by shooting of John Rawls (‘he had no convincing vision of the good society or the good life’), and a wildly constructive misreading of Rawls’s famous ‘veil of ignorance’, Blond ties himself in verbal knots as he tries to assert that the liberal state is destined to ...”

“... The dust jacket of the final volume of Bevis Hillier’s epic life of John Betjeman shows the poet laureate seized by giggles. In this lengthy coda to Hillier’s authorised biography Betjeman appears in many lights, but he’s rarely carefree. ‘Nothing frightens me more than the thought of dying,’ he told a friend in 1958 ...”

“... irritated by talk of class conflict, and is not exactly in congratulatory mood when he calls John Carey the most class-conscious critic of the modern age. (The literary hackles raised by Carey’s recent memoir, The Unexpected Professor, which puts the petty-bourgeois boot into patrician dons, revealed just what kind of talk remains unacceptable in a ...”

“... 150th anniversary, the present guardians of the London Library have chosen an eminent comedian, John Wells, to write their celebratory history. The sage of Chelsea would not have been amused. But then, nothing did amuse him. He seems to have been immune to such essentially human feelings. Carlyle happened to be in the library in 1875 when Bryan Courthope ...”

“... understanding of what is personal in America. Willy Loman is a grandson of Tom Sawyer, just as John Proctor is a kinsman of the upholders of the Scarlet Letter: they are each sons of the singer of himself in Walt Whitman, or of the powerful American addressee, Ishmael. Loman bears a relation to the figment and self-projection that is Jay Gatsby, as much as ...”

“... The Life and Letters of John Galsworthy by H.V. Marrot appeared at the end of 1935, not quite three years after its subject’s death, and must be one of the very last examples of what was by that time a gravely endangered species. In the preface to Eminent Victorians Strachey had wittily mocked the solemn pretensions of the Victorian and Edwardian monumental biography, ponderously discreet as an old-fashioned manservant: but 17 years later Marrot found it still possible to produce a work of unblushing hagiography ...”

“... the Alamein dinner, to which I looked forward with keener and keener anticipation. Indeed, like John Osborne waiting for Max Miller to come on stage in whatever provincial repertory theatre it was that he had sought him out, I found that I began to laugh before the Field-Marshal rose to speak and that while he was speaking I was reduced to tears by the ...”

“... pair, failing to make any conclusion of a courtship on a park bench, and it was denounced by John Osborne for being pointless. Days Spent in the Trees was about a greedy, possessive mother doting on her son – but what was Duras driving at? Harold Hobson found an abstract idea in it, the idea of ‘indulgence’, and other theatre reviewers ...”

“... the satire boom and the sexually liberated 1960s. He didn’t like postwar England any more than John Osborne did, and he quite liked Look Back in Anger. For his part, Osborne wanted to put on a production of Design for Living, which, like his own play, dramatises a love-hate triangle. Edward Albee got Coward’s work ...”

“... by the distinction of a cast that included Beatrix Lehmann, Arthur Lowe, Nicol Williamson and John Osborne. Nicol Williamson, who played the lead, was no farceur and seldom wrung a laugh from the audience, whom he chose to intimidate rather than entertain. Very shaky on the words he would pause lengthily, snarl ‘Yes?’ and stare malevolently at ...”

“... to give the audience a new idea. It is easiest to make such changes when the playwright is dead. John Osborne and Peter Nichols did not want Miller to alter their plays, but he was more fortunate when he directed Robert Lowell’s version of Aeschylus’s Prometheus Bound. Since Miller did not want to set this play in the Caucasus, with an actor tied to ...”

“... the title of the new companion, the Oxford Companion to 20th-Century Art, also edited by Harold Osborne, cautiously avoids the issue. Yet 90 per cent of the artists mentioned inside the recent book (although not, of course, 90 per cent of 20th-century artists) are the spiritual progeny of two or three French artists working at the turn of the century. Not a ...”

“... wounded supporters (including Booth in The Poet’s Plight) are still contending against them. John Osborne (director of American Studies at Hull) attempted to refute those denigrating Larkin on ideological grounds in his 2008 Larkin, Ideology and Critical Violence; his new book, Radical Larkin, fortified with literary theory, wishes to reclaim Larkin ...”

“... Having backtracked on that as the price of his new job, Balls is now set to go for George Osborne’s throat. That will play well in the House of Commons, and also in the soundbite wars. But it will have risks too. We’re back to the question of narrative. Balls has three salient qualities: he is right on the main issue; he scares the Tories; but he ...”