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“... entry in the Domesday book along with echidna tiger-snake tawny frogmouth commodities futures tare gross barometer. Rich soil drives the mechanism. Salmon gums bloom top-heavy like oracles with too much to say and the fox adjusts to the climate generation by generation. In the Paddock of the Killers the spectres of slaughtered sheep graze, die knife blunts in ...”

“... by a new editor. De Quincey came to see that it was Edinburgh where he had to make his mark, with John Wilson, editor of Blackwood’s, Professor of Moral Philosophy at Edinburgh, and de Quincey’s contact and pal. (In his study of The Rise and Fall of the Man of Letters, John Gross describes Wilson as ‘a ...”

“... materialism’ that undercuts traditional delusions about human nobility (all big toes are gross, even beautiful mouths are connected to awful anuses and so on). The conflict was in full force at the time of the Second Manifesto, in which Breton championed ‘sublimation’ and pinned ‘regression’ on Bataille. Yet Bataille was happy to take up the ...”

“... off the projected displacement of warships which, the idea was, would have been approaching the gross dimensions of those American carriers, clips from the life on board which, both indoors and out, we’ve grown all too used to seeing on our screens every time they put to sea to engage in some offshore bombardment of the landmass. As floating icons of ...”

“... few days of anxiety in Iran were like, in what are laughably called ‘their own words’, is a gross dereliction. As for a government that first gives them permission to take the money and run, and then immediately – and rightly – withdraws it ...”

“... by the end of it the mystery has been cleared up, The Assault has been spoken of by some – by John Gross, for example – as, on one level, like a detective novel. The resemblance, however, is weak. Anton Steenwijk does not seek out explanations for what happened on that terrible January night in 1945, they seek him out, unbidden and, consciously at ...”

“... Reagan’s speech-writer, a rant on modern television from Frederic Raphael, and views on editing (John Gross), Post-Structuralism (Alison Lurie) and computers. ‘Art’ in particular contains some notable essays, among them Walter Ong on subway graffiti, and the section opens with a splendidly passionate and ambitious piece by Margaret Doody on the ...”

“... wonders what an editor not privy to Lawrence’s situation as he was writing made of all this. As John Worthen justly observes, ‘it is hard to imagine Lawrence writing like this before meeting Frieda or hearing Frieda talk.’ It is also hard to imagine any biographer telling the tale with more dispassionate sympathy and insight than Worthen does: his ...”

“... family, after the takeover of the firm by Smith, Elder & Co (itself soon to be taken over by John Murray). A descendant – loyally named Richard Bentley – had lovingly conserved and catalogued them for posterity. In 1967, the BL acquired a tranche of early Macmillan papers: Harold Macmillan, it seems, was keen that the family firm’s archive should ...”

“... contemporary English poetry seems to have set itself a Herculean task: one named by the Scot John Burnside in ‘Source Code’ – to ‘imagine the suburbs’, in a déjà vu in which, repeatedly, ‘the same life happens again.’ As the poem’s title suggests, the task requires the encoding of difference, of imaginary origins and ends, rather than ...”

“... Two voices are there of Centennial Professor of English at Vanderbilt University John Halperin, whose rank and area of operation are, by what strikes me as a publishing solecism in a book that solicits a general readership, placed in apposition to his name on the title-page. The first voice is scarcely of the deep, but it utters some common sense ...”

“... of 1941. In July 1941, Poles in Jedwabne murdered Jews in a day-long pogrom, as we know from Jan Gross’s book Neighbours, published in 2001. Since then, Polish researchers have located 23 other towns where Poles massacred Jews. Ignoring this research and citing no sources, Davies claims that ‘the number of reports about massacres with a similar ...”

“... from’. Just such a conflict, lying behind the realism of Thomas Eakins’s large portrait The Gross Clinic, forms the main topic of the first of the two essays which constitute Realism, Writing, Disfiguration. The picture was presented at Philadelphia in 1876, the year of the second Impressionist exhibition, which represented artists of a different sort ...”

“... Silent with swimming sense; yea, gazing round On the wide landscape, gaze till all doth seem Less gross than bodily; and of such hues As veil the Almighty Spirit, when yet he makes Spirits perceive his presence. In the picture as well as the poem, or so I like to think, the landscape is imagined as becoming ‘less ...”

“... of years earlier, Sticky My Fingers, Fleet My Feet, a short film I’d written with the director John Hancock about touch football in Central Park, had been nominated for an Oscar. (It played with Woody Allen’s Bananas at New York’s Baronet Theatre to brisk business.) In a giddy moment, we’d even taken out one of those bow-wow fuck-off ads in Variety ...”