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“... it’s the old story in nice new Faber covers. In essence, Peters aims to do for the life what John Carey did for the works with his applauded Thackeray, Prodigal Genius (1977): that is to say: re-tread familiar ground with brisk, commonsensical illumination. This she does well. Thackeray’s Universe is attractively written and profits the reader ...”

“... And, one mutters, reviewers carp. For all this, Taylor has a critical parti pris. Like John Carey, whom he admires, he subscribes to the simplifying (and Ray-reversing) view that Thackeray is a one-book author. Or, as Carey brutally puts it: ‘Thackeray’s career as a leading novelist began and ended with ...”

“... A small news item with a large history behind it: John Sylvester, an inhabitant of Lancashire, was released last month from a life spent in mental hospitals and institutions, aged 81. He had been incarcerated when he was six years old, and his offence had been the stealing of an apple. His mother had died soon after this first confinement, and so when declared ‘mentally fit’ in 1929, he became the responsibility of his father, who was disabled and could not take up his case ...”

“... of an eccentric view of Donne. To understand that view, here documented in full and supported by John Haffenden’s conscientious and adulatory commentary, one point at least is essential. Empson found it all but impossible to believe that any intelligent and honest person could be a Christian. A lot of his work is devoted to showing that even writers who ...”

“... Neither prize-winner, under the new regime, has been a crowd-displeaser, nor a crowd-puzzler. John Carey, a serious man except when he is writing literary journalism, chaired this year’s jury, and announced that he was in favour of ‘widening what might be looked on as the Booker’s scope’. He and his judges had, he thought, a preference for ...”

“... he opted for schemes that make us shudder today.’ At the same time as Coren’s assault, John Carey in The Intellectuals and the Masses branded Wells an inveterate despiser of the common man. All in all, 1992 was a bad year for the Wellsian cause. Coren’s book was dealt with in this paper by Patrick Parrinder (8 April 1993). Parenthetically ...”

“... He usually picked on a big beast – big, that is, in the little world of Oxbridge English. John Carey, for instance, is lampooned for his ‘naivety’ in taking Shakespeare’s plays as ‘a good sample of how vivacious the English language was in the playwright’s day’. (This is really just an excuse for Griffiths to perform an imagined ...”

“... eyed askance or turned askew. Like Dedalus in the Irish National Library, trying to impress A.E., John Eglinton and Mr Best with his theory of Hamlet, the narrator of Nothing Like the Sun throws in lots of local colour, freely kitsched with quasi-Elizabethan compounds and archaic turns of phrase. Moreover, following Dedalus’s example in Ulysses, Burgess ...”

“... which has been reprinted in two editions since the war, with introductions by André Gide and John Carey. It is arguably Carey’s edition that has been chiefly responsible not only for the high reputation of the Memoirs and Confessions in England but also for the assumption that none of Hogg’s other fictions is ...”

“... Between 1938 and 1940, the Italian-American writer John Fante published three books. The first two – Wait until Spring, Bandini (1938) and Ask the Dust (1939) – were novels; the third, Dago Red (1940), was a collection of short stories. All three were well received. Ask the Dust disconcerted some of its reviewers, but Bandini was admired by James Farrell and Steinbeck praised Dago Red ...”

“... are in real sympathy, and can thus complement one another. In a celebrated inaugural lecture, John Carey suggested nonetheless that the process had gone too far, and that even giants like Empson and C.S. Lewis could be guilty in this way of serious distortions of a text: he instanced a bravura passage in The Allegory of Love on Spenser’s ‘Bower ...”

“... has now disappeared to be replaced by another, this time by the succeeding general editors, John Barnard and Paul Hammond. They claim fidelity to Bateson except where he has come to seem fallible. For instance, he insisted on modernising spelling and punctuation; but why modernise Browning, and why meddle with Marvell’s punctuation, which is important ...”

“... This idea of Wolfenden as a wash-out and the squanderer of a prodigious talent persuaded John Carey, one of his Oxford contemporaries, to find him ‘the least interesting’ of Faulks’s subjects. Not only does Carey challenge Faulks’s claim that ‘in some minor way he represented a generation’: he ...”

“... overdue attention. Lawrence’s enemies still deny his comedy, which was often self-deprecating. John Carey, who wants all writers to be nice (ideally, as decent as Arnold Bennett), wrote a book about the nastiness of various modern writers called The Intellectuals and the Masses. In it Lawrence is scolded for his ‘fascism’, his ecstasies of ...”

“... trouble in drumming up a fan club. Satanism is in this sense just the flipside of suburbia. As John Carey has observed, the grotesque freaks who populate the fringes of a Dickens novel represent the sadistic vengeance which the text wreaks on its own decorous middle-class story-line. Nobody would ask Oliver Twist to dinner if they could hook Fagin ...”