On Fanny Howe
Ange Mlinko: Fanny Howe, 5 October 2017
“... material to Howe’s imagination: from Roberto Rossellini’s film about his life she can touch on Ingrid Bergman in Stromboli, pregnant and lost on an Aeolian island ‘in a continual state of eruption’, and in Europa ’51 as the bereaved mother who finds God. From Clare’s self-imposed hunger she can conjure Simone Weil, who left the anti-fascist ... ”