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“... who withdrew into a secluded world of romance in the house and garden she created at Munstead Wood. Yet such extremes of public and private life were essential elements in what might be called the Arts and Crafts temperament: a mixture of idealism, sentimental fantasy and Victorian middle-class confidence. Morris and Jekyll were life-long participants in ...”

“... To make this fort assume The furniture of home; Lest we should see where we are, Lost in a haunted wood, Children afraid of the night Who have never been happy or good. In places the language has been worn smooth: the alternative of ‘not to ... but to’ rubbed down to the old-fashioned one-word, ‘Lest’ – a ‘Victorian echo’, Brodsky notes, whose ...”

“... talk of the real thing. Here at last was the mean, lethal, almost banter-free figure we thought Ian Fleming had invented, the ruthless, funless fellow we imagined we had always wanted. He had a licence to kill but his real licence was his angry work ethic. He was going to get the job done and nothing would distract him. He looked more like Robert Shaw, the ...”

“... Reading Ian McIntyre’s new Life of Reith I found myself longing for just one deed, one word, one sentiment from the great man which I could admire. In public office, notably as the architect and first Director-General of the BBC, he may have achieved a number of admirable ends, if fewer than pious legend attributes to him ...”

“... of who she is and what she wants. The walking holiday she and her husband have planned now seems, Ian McEwan says, ‘a pointless detour from her uncertainty’. The phrase is full of trouble, of precise and elusive implications. Uncertainty is a path, a destination, a need. Of course we may not like the thought, and many of us will prefer to see our detours ...”

“... leave it. Translating this sentence in its context, in the last volume of In Search of Lost Time, Ian Patterson has ‘the only true paradise is a paradise that we have lost.’ This is good because idiomatic, and it gets rid of the troubling plural. How many paradises could we bear to lose, and how many chances do we think we have? ‘Only’ seems a ...”

“... Is that what heroines have to do? This is perhaps the most troubling of the questions canvassed in Ian Donaldson’s cool and lucid tracing of what his subtitle calls ‘a myth and its transformations’. The book, which looks at paintings and works of philosophy as well as works of literature, is interested in the relations between ‘art and argument’. At ...”

“... is that novels without much plot tend to languish. Suddenly everything should be shorter, even Ian McEwan. More troubling was Professor Carey’s opinion that Nick Hornby’s How to Be Good is ‘a very impressive novel of ideas’, just the kind of thing the Booker should favour. Ah, that would explain the exclusion of Coetzee’s novel of ...”

“... school play: The night arrived and he was pretty good. Hands clasped behind, he greeted Birnam Wood. ‘Have you come far?’                 he asked in Royal fashion But Banquo’s spectre most aroused his passion. ‘How long,’         he queried,                 ‘Have you been a ghost?’ Mild, affectionate ...”

“... there are Lydia Davis, James Grieve, Mark Treharne, John Sturrock, Carol Clark, Peter Collier and Ian Patterson.The afterlife of Scott Moncrieff’s 1922-30 version is interesting too. First, not all of it is his. He died before he was able to turn to Proust’s last volume, which was translated first by Stephen Hudson and later by Andreas Mayor. In 1981 ...”

“... ill and like getting old, who prefer winter to summer and autumn to spring’. These Babes in the Wood crave the rainy, stained and soggy. Yet the later Murdoch was a hard-line Tory, who may well have been liberal in her aesthetics but was hardly so in her politics. She had right-wing views on most topics, and lambasted the work of Derrida while having only ...”

“... dark, muddy green of the native vegetation; the low, dense covering of ngaio and rangiora, lance wood and manuka, was a reminder of how the land had looked when first settled. As the farmland became unprofitable or unmanageable, gorse, broom and blackberry took over. There was much light and much wind. In summer gorse fires threw up dense billowing columns ...”

“... whole. His major precursors are Quiller-Couch, Yeats, Auden, George MacBeth, Christopher Ricks and Ian Fletcher. I don’t intend a Shopper’s Guide, but I’ll start with two small complaints. Unlike Fletcher, Karlin doesn’t give explanatory notes, except for a few dialect words and phrases in foreign languages. Reading Davidson’s ‘Thirty Bob a ...”

“... a cameo role as an air-force officer who questions the wisdom of the scheme. In the meantime, Ian Colvin, a journalist whose investigation into the wartime coup had prompted Montagu to come out first with his authorised version, published The Unknown Courier. So the tale has been told before, but Ben Macintyre has done a more thorough and readable job of ...”

“... Of all nations’, writes Ian Ousby, ‘we’, the English, have ‘perhaps the most strongly defined sense of national identity – so developed and so stylised, in fact, that we are frequently conscious of it as a burden or restraint’. I wonder what he can possibly mean by that. The most anomalous thing about England in comparison with all other European nations (of course it isn’t a nation, but even in comparison with Scotland and Wales) is that it doesn’t have the formal marks of national identity acquired even by Iceland or Finland, Luxembourg or Albania ...”