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“... price for admission. In her discriminating survey of the issues confronting feminism today, Jane Miller argues that it has been too high. The form of her book is a demonstration of this conviction, for it is an account of an intellectual dilemma which takes shape as an autobiography. She remembers her own experience as an undergraduate at Cambridge, where ...”

“... Women have always written about men,’ Jane Miller remarks in Women Writing about Men (1986),but they have needed to be extremely circumspect about doing so. To read as a woman is to confront that circumspection as a mode of being and a kind of language … Of course, I too want to hear what women writers have been telling us about women ...”

“... taste’ of Magritte’s house in the Rue des Mimosas in suburban Brussels, Jonathan Miller took off into one of his self-intoxicating fantasies. We were there together in the mid-Sixties to make a film for the BBC, and although I had forewarned him, Jonathan couldn’t believe that this overstuffed furniture, this aviary of china birds, these ...”

“... the Sunday Times Colour Supplement, as well as supplying pocket cartoons for several dailies. Karl Miller, who knew him well both at Cambridge and in London, describes Boxer in his autobiography as ‘both Figaro and the Count’, which may suggest not a blend of patrician wilfulness and backstairs cunning but internal strife between the two. Presumably you ...”

“... which reached him and went down well. The first came when he and his wife Jane went to stay with George Barker, in Italy I think, and Barker exclaimed afterwards: ‘That boy! He’s got a tiger in his loins!’ Karl loved that. Who wouldn’t? His friends all got to hear about it. He laughed about it in a deprecating way but inside I think he felt that ...”

“... are to be found in the Middle Ages among the fighting families of the Anglo-Scottish Border, as George MacDonald Fraser’s book The Steel Bonnets makes clear.* His synonymous reivers, raiders or riders used to get off their horses and play the football that became soccer and rugby, and they were not afraid of a few fouls: ‘some quarrel happened betwixt ...”

“... is well represented, but 21 of the 26 references against his name relate to works by the unindexed George F. Woodberry (another English humorist, D. B. Wyndham-Lewis, has his entries indexed under Percy Wyndham Lewis). The genuine Wodehouse entries are not really vintage, which may well be the result of trying to find unhackneyed passages. Indeed, the search ...”

“... Lee Miller invented her first name as if to veil her femaleness when she was a society beauty and fashion model in the 1920s. It went along with a new shift in the style of sexual excitement, a new pleasure in androgyny: what Carolyn Burke discreetly calls ‘a redistribution of sexual energies’.Later, her neutral first name helped to advance her short New York career as a professional portrait photographer, before women were wholly welcome in the field; and much later, long after she had distinguished herself as a French Surrealist icon and a British war correspondent, her name could sometimes be confused with Lee Friedlander’s, even though he was a very different artist with a long-term, stable fame ...”

“... established that the sinner in question was a Miss Sala, aunt of the American literary journalist George Augustus Sala. The aunt lent Macrone £500, which enabled him to set up on his own after the break with Cochrane, and to acquire the copyright for Dickens’s Sketches by Boz. Soon afterwards he married someone else, the daughter of a respectable professor ...”

“... of 9/11, implying that it had shown great leadership in finding what happened that day very bad. George W. Bush has boiled doublethink down to a sticky residue: ‘you’re either for us or you’re for the terrorists’ is its central flavour. But choosing New York for the convention was overweening even by Republican standards: like Woody Allen, only less ...”

“... American culture. She searched for role models among famous women writers of her day – George Eliot, the Brontës, Elizabeth Barrett Browning. Yet as Christanne Miller points out, Dickinson didn’t actively support the political campaign for women’s rights ‘or, apparently, sympathise with women ...”

“... by today’s ‘whenwes’ are the early years of the English Stage Company, started in 1955 by George Devine and Tony Richardson, although the theatre enjoyed at least as luminous a period from 1904 to 1907 when Harley Granville-Barker was its artistic director. The Royal Court is the perfect size for a playhouse; it seats about four hundred people (two ...”

“... at Canterbury (which in Chaucer they never do). On a visit to the Cathedral, the Pardoner, the Miller, and ‘other lewd sots’ wander about staring up at the stained-glass windows, trying to work out the heraldry and also puzzling over the stories represented there. ‘That man there is carrying a quarter-staff or else a rake handle,’ says ...”

“... arguing about the play: ‘ “What’s it all about?” the man complained to his wife. “Why, George,” she said, “it’s about love and hate and passion and everything – ever since the world began.” “Well,” the man said, “there must be more to it than that.” ’ George was right. There was more to it ...”

“... of self were inventions of the 20th century. In his snatch of vérité during the film Reds, Henry Miller hazarded the view that people have always done a lot of fucking. Montaigne settled to his solitary task of reflective self-examination in the mid-16th century. Sex and the self as subjects for investigation share the characteristic of always making their ...”