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How the sanity of poets can be edited away

Arnold Rattenbury: The Sanity of Ivor Gurney, 14 October 1999

‘Severn and Somme’ and ‘War’s Embers’ 
by Ivor Gurney, edited by R.K.R. Thornton.
Carcanet, 152 pp., £7.95, September 1997, 1 85754 348 3
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80 Poems or So 
by Ivor Gurney, edited by George Walter and R.K.R. Thornton.
Carcanet, 148 pp., £9.95, January 1997, 1 85754 344 0
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... often are the poems bad, unaware (Ronald-like?) or puny that the best among them – Gurney’s, Edward Thomas’s, Owen’s – rise from the shared world of trench-mud with astonishing freshness. And Gurney, at least, would have approved Taylor’s chosen prelude, a poem by that patron of all things common, Walt Whitman, whose work he appears to have ...

Loose Woven

Peter Howarth: Edward Thomas’s contingencies, 4 August 2005

Collected Poems 
by Edward Thomas, edited by R. George Thomas.
Faber, 264 pp., £12.99, October 2004, 0 571 22260 9
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... The blurb on this excellent new and expanded edition of Edward Thomas’s Collected Poems tells you that Thomas was ‘one of the great English poets of the 20th century’, which is true, and that he was not really a ‘war poet’ but a lonely nature poet, which is slightly less true ...

On Michael Longley

Colin Burrow: Michael Longley, 19 October 2017

... banks which separate those two artificially divided streams, but he does so with remarkable force. Edward Thomas is a particularly strong influence, which is not surprising given that Thomas was a nature poet turned Tommy who therefore could serve as an imaginative proxy for Longley’s own soldier father. Another less ...

Condy’s Fluid

P.N. Furbank, 25 October 1990

A War Imagined: The First World War and English Culture 
by Samuel Hynes.
Bodley Head, 514 pp., £20, October 1990, 0 370 30451 9
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Killing in Verse and Prose, and Other Essays 
by Paul Fussell.
Bellew, 294 pp., £9.95, October 1990, 0 947792 55 4
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... For after all, the inspiring motive for two of the other finest combatant poets of the Great War, Edward Thomas and Ivor Gurney, was patriotism. One could, if one wished, even make Edward Thomas out to be a jingoist, for did he not write: But with the best and meanest Englishmen I am one in crying, God save ...
... their people what the face of war was really like. Some, like Ivor Gurney and Edmund Blunden and Edward Thomas, quietly described their experiences without bitterness or emphasis, with much the same detachment and penetration with which they described the peaceful scenes that had first evoked their poetic gifts. Their verse is all the more compelling ...

Leases of Lifelessness

Denis Donoghue, 7 October 1993

Beckett’s Dying Words 
by Christopher Ricks.
Oxford, 218 pp., £17.50, July 1993, 0 19 812358 2
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... ease is worded by quotations from Dante Spenser, Milton, Shakespeare, Swift, Hardy, Housman and Edward Thomas. But none of the quotations is evidence that their authors maintained a conviction in favour of oblivion; above it all, no such desire runs. The passages Ricks quotes are imaginings, voicings of a mood, not the last will and testament of any of ...

Hobohemianism

Blake Morrison, 30 June 2011

The Autobiography of a Super-Tramp 
by W.H. Davies.
Amberley, 192 pp., £14.99, September 2010, 978 1 84868 980 0
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... days); he knew his literary career wouldn’t have taken off but for the patronage of Shaw and Edward Thomas; he also knew some thought him overrated, a ‘nature poet’ who had earned that tag by sleeping under hedges rather than the quality of his verse: I hear men say: ‘This Davies has no depth, He writes of birds, of staring cows and ...

Diary

Patrick McGuinness: Oxford by Train, 17 June 2021

... Edward Thomas​ called the approach to Oxford by train ‘the most contemptible in Europe’. There’s no view to speak of, and the station is a big shed with lots of glass and cheap detailing: blue pillars and PVC fascias. The city’s relationship to the railway, like its relationship to the world, is arrogant but insecure, high-minded but petty ...

What’s the big idea?

Jonathan Parry: The Origins of Our Decline, 30 November 2017

The Age of Decadence: Britain 1880 to 1914 
by Simon Heffer.
Random House, 912 pp., £30, September 2017, 978 1 84794 742 0
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... through state and society in these years came from the very top. As prince of Wales and then king, Edward VII gambled, had mistresses and corrupted his protectors into indulging his whims, while his son was linked to the sordid allegations about aristocrats and male prostitutes in Cleveland Street. Edward was particularly ...

The Last Georgian

John Bayley, 13 June 1991

Edmund Blunden: A Biography 
by Barry Webb.
Yale, 360 pp., £18.50, December 1990, 0 300 04634 0
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... There is no inner tension, no feeling incommunicable in any other way, as there is in Eliot or Edward Thomas, or even in such an apparently frivolous squib as Betjeman’s ‘ Death in Leamington’. Housman was unexpectedly benevolent about Blunden’s poetry and helped to get him an award from the Royal Literary Fund: but he was a little dry about ...

Faculty at War

Tom Paulin, 17 June 1982

Re-Reading English 
edited by Peter Widdowson.
Methuen, 246 pp., £7.95, March 1982, 0 416 31150 4
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Against Criticism 
by Iain McGilchrist.
Faber, 271 pp., £12.50, May 1982, 0 571 11922 0
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... in various newspapers and journals (the line of influential poetry reviewing stretches from Edward Thomas to Ian Hamilton). Sooner or later, the taste which innovating literary journalists shape and enforce seeps through to institutions of higher education, which then disseminate it to their students, many of whom transmit it to the next generation ...

Gurney’s Flood

Donald Davie, 3 February 1983

Geoffrey Grigson: Collected Poems 1963-1980 
Allison and Busby, 256 pp., £9.95, November 1982, 0 85031 419 4Show More
The Cornish Dancer 
by Geoffrey Grigson.
Secker, 64 pp., £4.95, June 1982, 0 436 18805 8
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The Private Art: A Poetry Notebook 
by Geoffrey Grigson.
Allison and Busby, 231 pp., £9.95, November 1982, 0 85031 420 8
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Blessings, Kicks and Curses: A Critical Collection 
by Geoffrey Grigson.
Allison and Busby, £9.95, November 1982, 0 85031 437 2
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Collected Poems of Ivor Gurney 
edited by P.J. Kavanagh.
Oxford, 284 pp., £12, September 1982, 0 19 211940 0
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War Letters 
by Ivor Gurney, edited by R.K.R. Thornton.
Mid-Northumberland Arts Group/Carcanet, 271 pp., £12, February 1983, 0 85635 408 2
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... it is appropriate, when not. The influences – Hopkins in ‘George Chapman – The Iliad’, Edward Thomas in ‘On Foscombe Hill’ and ‘Up There’ and possibly ‘Imitation’, Jonson in ‘We Who Praise Poets’, Whitman and possibly D.H. Lawrence in ‘Felling a Tree’ – are discernible but never for certain, because so thoroughly ...

Topographies

W.R. Mead, 16 October 1980

The English Heartland 
by Robert Beckinsale and Monica Beckinsale.
Duckworth, 434 pp., £18, June 1980, 0 7156 1389 8
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The English Village 
by Richard Muir.
Thames and Hudson, 208 pp., £8.50, May 1980, 0 500 24106 6
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... by the million to disease. The disappearance of branch railway lines is also mourned, with Edward Thomas providing the requiem for the Adlestrops of the English ‘heartland’. Change and decay are not entirely matters of regret. The comfortable appearance of most present-day villages is a source of consolation. Richard Muir considers that the ...

Squeak

Jonathan Heawood: Adam Thorpe’s new novel, 18 August 2005

The Rules of Perspective 
by Adam Thorpe.
Cape, 341 pp., £12.99, May 2005, 0 224 05187 3
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... and 20th-century attempts to frame the landscape, in the manner of Fox Talbot, Pitt Rivers or Edward Thomas, are viewed with suspicion. Their pastoral fantasies – expressed in photography, archaeology or poetry – become a mark of distance and loss. In the closing pages, Thorpe plays a postmodern trick, suddenly introducing a character called Adam ...

Where Things Get Fuzzy

Stephanie Burt: Rae Armantrout, 30 March 2017

Partly: New and Selected Poems 2001-15 
by Rae Armantrout.
Wesleyan, 234 pp., £27, September 2016, 978 0 8195 7655 2
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... ambitious descriptions – those that bring her closest to, say, William Carlos Williams, or to Edward Thomas for that matter – remind us that we see only what we have learned to see, what our lives and our societies will let us see, that there is no unmediated nature: The cold rays of the bristle cone, she writes – she who admires ...

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