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“... to moral discourse and retaining a distinctly clerical air. The Labour guru in postwar Oxford was David Worswick, the well-known economist, not David Worick, as he appears both in the text and the index. By no stretch of the imagination can the students of T.H. Green be said to have ‘invented’ the Fabian Society ...”

“... to be gaining a presence not just in politics but in pop culture too. That same month, May 1976, David Bowie was photographed at Victoria Station on his return to Britain after two years in North America. Standing in an open-topped Mercedes, he appeared to give his fans some kind of open-handed, straight-armed – possibly fascist – salute. Soon afterwards ...”

“... their personal lives. ‘Though Judge Mellon had rebelled decisively against his own father,’ David Cannadine writes in his new biography of the judge’s son Andrew, ‘he had no intention of tolerating any such conduct in the next generation … The judge regarded his sons as essentially extensions of himself.’ When Andrew Mellon was in his teens, his ...”

“... with angelic grace and with a formal complexity which is delightfully difficult to disentangle. David Ekserdjian’s book illustrates all of Correggio’s paintings, great and small, superbly well, together with many of his drawings. In the latter we can watch him weaving his compositions with a nervous pen line; giving them more unity, more softness and ...”

“... laws, a Christian, yet they had no revelation. Should we then agree with Utopia’s discoverer, Raphael Hythlodaeus (the ‘speaker of nonsense’), that ‘there is not a more excellent people or a happier commonwealth anywhere in the whole world,’ or with the figure of ‘More’, who closes the work with the observation that ‘in the Utopian ...”

“... the art of the 19th century to the society that created it. Boime’s belief that painting between David and the Impressionists reflected the political and social problems of a century divided between liberty and constraint leads him to describe a large part of French art (and music, literature and philosophy) as the product of a juste-milieu, stuck like ...”

“... It’s​ not hard to think of painters who took up sculpture: Raphael (probably), Guido Reni (at least once), Frederic Leighton, Degas, Renoir (unfortunately), Picasso. But sculptors have less frequently turned to painting, which may explain why many art historians have found it so difficult to believe that the Florentine sculptor and goldsmith Andrea Verrocchio (1435-88) took up painting relatively late in his career and then abandoned it on recognising the extraordinary ability of his pupil Leonardo ...”

“... at their ease; it’s argumentative. Here and there the argument is illuminating, as when David Bomberg’s In the Hold (c.1913-14) is hung next to Leon Kossoff’s Children’s Swimming Pool, Autumn Afternoon (1971). Both are busy compositions, with a mass of vigorous figures squeezed closely into a space. But the Bomberg is pretty abstract and is ...”

“... cult of the Bhagwan Rajneesh. Returning to New Jersey in orange garments after a summer in India, David announced that he wanted to change his title in the university catalogue from ‘professor’ to ‘swami’; teach ‘The Wisdom of the East’ instead of ‘Hemingway, Fitzgerald and Faulkner’; and replace the furniture in his office with a simple ...”

“... and erudite exposition of the evolving ideas for dome decoration, which culminated in the works of Raphael and Correggio, he observes how the establishment of a ‘perspectival or visually logical continuum between the real world and the pictorial space’ permits us to conceive of the action depicted moving out of our world and into the painted scene and vice ...”

“... sitting next to Iraq. Then came the grim day when O’Brien and his Israeli counterpart, Gideon Raphael, watched their mutual friend Adlai Stevenson trudge through a mendacious speech about that same Bay of Pigs. He knew he was lying, they knew he was lying, he knew they knew that he knew. As a consequence, he would sometimes lift his eyes to where they ...”

“... Supper at Emmaus’ (1555) ‘The Conversion of Mary Magdalene’ (1548) ‘The Anointing of David’ (1550) ‘The Adoration of the Kings’ (1573) ‘The Adoration of the Kings’ (1573-4) ‘Lucretia’ (1585) ‘Perseus and Andromeda’ (1576-78) ‘The Rape of Europa’ (1575)PreviousNext That having been said, the exhibition does contain some ...”

“... That study of the heritage industry and associated questions (‘heritage-baiting’, Raphael Samuel has called it) seems to be widely admired, but I am relieved Wright has not followed up its example. Aware that he then had a reputation for both ‘anecdotalism’ and ‘excessively abstract generalisation’, he apparently tried to redress the ...”

“... near the shrine of Padre Pio, revealed the face of the Madonna looking very like the pictures Raphael or Perugino painted of her. David Blackhourn has produced an exhaustive study of the apparitions of the Madonna in July 1876 in Marpingen, and the turbulent aftermath which embroiled the Army, the Berlin secret ...”

“... work which can be seen as the culmination of a tradition of figure-painting which includes Raphael and Ingres. It can also be seen as radical: the beginning of a change which would finally see the notion, implied in most European art of the previous few centuries, that beauty is the end of art discarded. One of the pleasures of looking at his work is ...”