At Tate Britain
Julian Bell: Van Gogh, 1 August 2019
“... derives from the metonym that Luke Fildes devised in 1870 when he represented the death of Charles Dickens by picturing his vacant armchair. Van Gogh’s taste for swingeing, all-confronting symbols would come to fruition in his solar discs and sunflowers. The exhibition demonstrates that while his handiwork may alter, Van Gogh’s will to ... ”