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“... Timmy O’Kane, the protagonist of Anthony Giardina’s fourth novel, lives in suburban Massachusetts and works as a salesman for an academic publisher. He visits universities and tries to persuade professors to buy the firm’s anthologies, the most popular of which he calls ‘White Guys’: ‘White Guys’ sells in the hundreds of thousands annually ...”

“... author-hero is said to be a ‘chapter of accidents’, and in the title and precarious plot of Anthony Powell’s O, How the wheel becomes it! The wheel is Ophelia’s, and suggests the incessant circlings of fortune, but quickly, in Powell’s hands, comes to hint at roulette and the dodgy hazards of English literary life. Comedy loves ...”

“... I return to self-portraits and interiors that I invent in the studio. I use a mirror and the Old Masters as my source material. Sometimes, an element of still life finds its way into a painting – the edge of a table, a plant, a vase – but always in a supporting role. I look at reproductions of the Villa Livia frescoes in the Palazzo Massimo in Rome and ...”

“... lands of origin. Moreover, they retained the habit even when these places passed under different masters, so that Nouvelle Orléans calmly became New Orleans, and Nieuw Zeeland New Zealand. Just how odd this practice was can be seen from the fact that although Arabs settled, and sometimes set up statelets, all round the perimeter of the Indian Ocean, and ...”

“... socially, and yet still half belonged to another exotic world where it was they who had been the masters. For Jasanoff, collecting is something more than an activity, it is an extended – sometimes over-extended – metaphor for empire itself. Imperial states ‘collected’ provinces, territories, peoples (Clive is said to have ‘collected’ Members of ...”

“... on the western outskirts of Moscow, when they buried Kim Philby. Guy Burgess had died in 1963, Anthony Blunt and Donald Maclean in 1983. Philby, however, was still alive when I started work in Moscow as the Independent’s correspondent there in early 1987, and his presence was a source of recurrent nightmares. Naturally I had put out feelers for an ...”

“... On the afternoon of 15 November 1979 the Prime Minister announced in the House of Commons that Anthony Blunt, retired Surveyor of the Queen’s Pictures, fellow of the British Academy, former director of the Courtauld Institute, and the most influential figure in the establishment of art history as an academic subject in this country had indeed, as Private Eye had intimated a week before, and as Fleet Street had long been whispering, spied for the Soviet Union ...”

“... years); the bullying; the loneliness; the being branded as a dunce – all combined to bring young Anthony to the brink of suicide. Mullen and Hall go along with Trollope’s version of his schooldays (Mullen less so than Hall, perhaps). But Super disagrees radically. Despite what Trollope himself declares, he insists that in 1834 ‘the young man who ...”

“... sex and death to deliver him and them into such a mess of evil. In Killing for Company Brian Masters attempts, with the active participation of his subject, to explain how a person like Nilsen came to be; how his necrophiliac fantasies invaded real life; how, in Masters’s words, it is possible to wake up in the ...”

“... dubious morality. Building on the classic image of Walsingham as spymaster established by James Anthony Froude’s History of England from the Fall of Wolsey to the Defeat of the Spanish Armada (1856-70), his early 20th-century biographers, Sidney Lee and Conyers Read, presented him as an astute and distinguished patriot who laid the foundations for the ...”

“... classrooms, where spies, known as ‘foxes’, informed on those who slipped into the vernacular. Masters lectured in Latin on Latin texts, and the most successful pupils learned to produce Latin prose and verse on demand. But many boys, perhaps a majority, confronted with towering grammatical structures, typographical monkey-puzzle trees which they often had ...”

“... and never wrote anything else of comparable sustained exactness. All of which makes the title of Anthony Cronin’s biography, No Laughing Matter, fit its subject, although its subject is the most purely comic Irish writer. The reader, therefore, comes to Cronin’s book with expectations and curiosities which are hard to satisfy. What was the nature of ...”

“... ought to be wound up after the publication of Michael Straight’s contribution. Very possibly, Anthony Blunt will one day write such a book himself. But the names have almost all been named, the questions of motive worn smooth, the titles and pensions (some of them) stripped like epaulettes, the spell in the pillory served. Let’s get the blanket over ...”

“... at the very front and in the full light of day, Michelangelo and his companions, the great masters of the modern period from Leonardo da Vinci to the immediate past. The basic arrangement was obviously derived from Vasari’s Lives, published in 1550, although there were some surprising differences in the detailed classification. As a scheme it ...”

“... of secrets’, one of a number of Renaissance writers who traded on their reputation as masters of tricks, clues and recipes long lost to, or hidden from, common knowledge and now at last revealed to an amazed public. They foresaw laboratories and workshops, gardens and libraries, where old lore and new skills could be pursued in common. While ...”