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“... turn someone smiling, loving almost.23 March. Asked by the Guardian if I would like to interview Andrew McMillan, the poet. Though I’m an admirer I say no, only because if I did it would be as much about myself as about McMillan and how his life has been very different from mine.24 March. Rupert asks me about Worship Street, where I lodged in the early ...”

“... Alan’ performance for a more general audience. 26 January. Run into Tristram Powell. Andrew Devonshire (sic) has done a diary for the Spectator mentioning the memoir of Julian Jebb (edited by Tristram) as one of the books he was putting in the guest bedrooms at Chatsworth. ‘I wish he’d leave a copy in all the bedrooms,’ drawls ...”

“... by Barry Cryer, as one of his extensive and distinguished clientele that included Judi Dench and Andrew Marr. He would ring up and without bothering to say who it was would embark on the joke. When he’d finished he’d say, ‘Well, I’ll give you back your day’ and ring off. The last joke he told me, only a week or two before his death, concerned a ...”

“... passionate conviction that artists ought to be protected from the need to make ends meet. Arnold Bennett, for example, did not believe ‘that this kind of appeal can be logically justified. According to my gospel, the first duty of a man is to earn his living; he must be an artist afterwards.’ Nowadays, when the topic of subsidised literature comes up, we ...”

“... a university actor like Jacobi or McKellen, he used to call me (not to my face) ‘College’ Bennett. His was a non-commissioned life and, of course, a straight one. The list of roles he took on and the productions he was part of are a history of the Old Vic and the National Theatre over the last forty years and the quality and sheer volume of his work ...”

“... the Part and it’s almost a parlour game; a winning combination would be, say, Robert Morley as Andrew Aguecheek. All of which is to do an injustice to Kenneth More, who was a fine naturalistic actor, and although he had never stepped outside his genial public stereotype, Patrick Garland and I both thought that if he could be persuaded to do so, it might ...”

“... These marvellous pieces, hundreds and hundreds of them, are being steadily collected and edited by Andrew McNeillie. The opening of Woolf’s review of A.C. Benson’s memoirs, though not in fact a TLS piece, shows her in characteristic club-clearing mode: In order to appreciate Mr Benson’s memories fully one should have been educated at Eton and ...”

“... his political viewpoint not in the forefront, but the new breed of historian – Niall Ferguson, Andrew Roberts and Norman Stone – all came to prominence under Mrs Thatcher and share some of her characteristics. Having found that taking the contrary view pays dividends they seem to make this the tone of their customary discourse. A sneer is never far away ...”

“... of course, not hers. Eva died in 1977 aged 91, after which the poems more or less stopped coming. Andrew Motion thinks this is no coincidence.Larkin pinpointed 63 as his probable departure date because that was when his father went, turned by his mother into ‘the sort of closed, reserved man who would die of some thing internal’. Sydney Larkin was the ...”

“... the director-general of MI5, David Murphy, the CIA chief of Soviet Bloc Intelligence, and James Bennett, head of Canadian counter-espionage, were all denounced as likely Soviet agents by conspiracy theorists within their own services. In his recently published memoirs,* President Carter’s DCI, Stansfield Turner, records that ‘British intelligence ...”

“... with the prudential advice he offered aspiring novelists in the autobiography. He was the Arnold Bennett of his day, not a second Henry James; he was interested in the nuts and bolts of fiction-writing and how one might make a living by that occupation. Never in the faintest degree a theorist, he was concerned only with a story’s effect on the people who ...”

“... recently been the subject of a whole series of influential and subtle reinterpretations. While Andrew Martin’s work marks an innovation in the English criticism of Verne, he is much indebted to such Parisian predecessors as Roland Barthes, Michel Butor and Michel Serres. Moreover, The Mask of the Prophet is a sequel to Martin’s earlier book, The ...”

“... Andrew Motion’s book is intended to portray a family’s rich self-destructiveness. He begins with Larkin’s famous quatrain: Man hands on misery to man.   It deepens like a coastal shelf. Get out as early as you can,   And don’t have any kids yourself. The Lamberts – painter George (1873-1930), composer-conductor Constant (1905-51), and manager of The Who, Kit (1935-81) – got out as early as they could, and of the two who had kids neither showed paternal enthusiasm or skill ...”

“... be more of this. 23 May. Ros Chatto, my agent, calls to say I have been offered a role in the BBC Andrew Davies adaptation of Fanny Hill. She reads through this raunchy script finding no mention of the part for which I’m slated until she gets to the very final scene, where Fanny meets an old and respectable gentleman (me) whom she fucks to extinction, then ...”

“... lying in the long grass I would be enraptured. A biker delivers a letter from the BBC: ‘Alan Bennett? Can I shake your hand? The trouble is I sold all your plays for a gram of speed about five years ago.’ 23 August, Espiessac. Sitting in the shade of the cherry tree outside the pigeonnier in a rough, warm wind that snatches at the paper as I ...”