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“... contributing in a loud, shrill voice remarks like ‘Mr Henry was a heavy man – nearly 16 stone – it was a job for him to push his bicycle uphill’ – in the middle of all the other conversation wh: he couldn’t hear. Her humour was in that tradition in which her father and her uncle Ronald excelled, and which Punch, at its best, epitomised. In ...”

“... themselves are supported by nothing. Harrison sees the word ‘UNITED graffitied on my parents’ stone’. At least this is better than the CUNT, PISS, FUCK, SHIT and PAKI GIT on some of the other tombs, and Harrison even tries – or parodies himself trying – to get a higher meaning from the sprayed word. Perhaps ‘united’ means ‘united in ...”

“... locating the source of Greek abstract thought and Plato’s ideal forms in the advent of writing; Richard Seaford’s rooting of these features in the monetisation of Greek society; and of course Marshall McLuhan’s celebration of the medium’s production of the message. Not to mention (and, curiously, Debray doesn’t) the interconnections between base and ...”

“... claiming to be a former servant, ‘turned away for no reason’, asking that £20 be left under a stone in Tynemouth: ‘me famalry are now starving the Butchers will let them have no more meet, the Bakers will let them have no more bread what must we do, I’m resolved now to go to Immirica.’ The letter was published in the London Gazette, since Brown had ...”

“... constituted a growing proportion of the population and why the eminent Presbyterian Richard Baxter was convinced that a large proportion of those ‘born of Christian Parents’ had ‘banished’ faith from their ‘Hearts and Lives’. Often described as ‘worldlings’, these were people who denied God less in thoughts and words than in ...”

“... is missing, but anxious that people should not suspect that it is his integrity. The career of Richard Crossman refuted these stereotypes rather in the manner that Samuel Johnson, by stubbing his foot against a rock, claimed to refute Berkeley: what was lost as a formal exercise was pure gain as an object lesson. For Crossman remained incorrigibly attached ...”

“... this fellow declared his own outlaw ethic in words that for me will always be cut into the stone of Hawksmoor’s building: ‘I’ve never raped. I’ve never mugged. I’ve never robbed a working-class home.’ As he sank away towards the underworld of the crypt, we ascended the hierarchical steps to hear music by Messiaen and Hans Werner Henze. The ...”

“... of future troubles. A baby brother died when she was six, and within the year another brother, Richard, died from scarlet fever. As Susannah Clapp put it in her review of Fitzgerald’s biography (LRB, 20 December 1984), Mew liked to play the child, but child’s play was always a peculiarly fraught affair. In one poem she addresses Sorrow and remembers ...”

“... when ancient dames chose forth brocade) Modern chalk drawings, studies from the nude, Samples of stone, jet, breccia, porphyry Polished and rough, sundry amazing busts In baked earth, (broken, Providence be praised!) A wreck of tapestry, proudly-purposed web When reds and blues were indeed red and blue, Now offered as a mat to save bare feet . . . The book ...”

“... unashamed fan of minor Hollywood pictures. Breathless, as Godard readily admitted, was inspired by Richard Quine’s Pushover and could be seen as the direct sequel to Otto Preminger’s Bonjour tristesse. The central character of the film, the petty criminal played by Belmondo, modelled his self-image on that of Humphrey Bogart in Mark Robson’s The Harder ...”

“... the magazine profiles. That on Temple Bar, for instance, makes the strange statement that in 1866 Richard Bentley was the publisher of ‘over 127 volumes of novels’. (About a thousand over, I imagine.) In the entry on Punch we are told that Thackeray was ‘a man of tremendous output, producing four of his novels while writing regularly for Punch and ...”

“... as if with an eye to leaving a crisp morsel for the historian. In his 1974 biography of Pepys, Richard Ollard said that there clings to him ‘an irresistible air of bedroom farce’, with ‘furtive lecheries so vivaciously pursued’. The earlier multi-volume life by Sir Arthur Bryant had done much to rescue him from his popular reputation of Slippery ...”

“... such as the Mies van der Rohe-inspired Hunstanton School (1954) in Norfolk; the three chamfered, stone-clad towers of the Economist Building (1959-65) in Piccadilly; and the timber-screened Garden Building (1967-70) at St Hilda’s College, Oxford. They were, in Mark Crinson’s description, ‘writerly, artistic-minded, avant-garde and unabashedly ...”

“... it begins where the troubadour canon leaves off. Along with a handful of lyrics by Chaucer, Richard Rolle, and some less familiar names, it includes fifty anonymous poems of immense variety. Genres are defined loosely, if at all, and even such basic categories as ‘sacred’ and ‘secular’ prove to be thoroughly intertwined. In place of the ...”

“... it is as if Shakespeare at the time of The Tempest had been forced by an old contract to rewrite Richard III.) One way out of this quandary – for it does not feel right to historians that the golden years of the High Renaissance should leave behind such a central, equivocal instance of ‘progress’ – has been to doubt that what we see in London is ...”