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“... into my barn’ (Matthew 13, 30). Religious language with a different resonance is deployed by David Halperin in his Saint Foucault, which bears the subtitle ‘Towards a Gay Hagiography’. Halperin is well aware of the dangerous echo of Saint Genet, Sartre’s overbearing and invasive gloss on another writer’s life and work, but appropriates another ...”

“... a genre requirement that the central figures of novels be positive in their temperaments: David Lurie in J.M. Coetzee’s Disgrace, for instance, is stubborn and curmudgeonly, with a streak of self-sabotage a mile wide. It isn’t even a requirement that they be sane, as shown not only by Nabokov’s Kinbote but by the narrator of Nicholson Baker’s ...”

“... to the Indian population, though often through the efforts of Indian doctors and philanthropists. David Arnold’s book covers the early 19th century in greater detail and includes a chapter on the anguished responses to the first cholera pandemic of 1818-25. He provides fascinating material on the period when Europeans were trying to come to grips with ...”

“... figure eventually has to let him go, triggering a suicidal binge. Although largely a creation of David O. Selznick, a producer with a predilection for sentimental narratives, What Price Hollywood? draws on the career and decline into alcoholism of the silent era director Lowell Sherman, who himself plays the dissipated drunkard Maximillian Cady. Cady and his ...”

“... admired as a great prophet, and whose work is quite unreadable today); the ‘manifestly insane’ Jones Very (who considered himself the ‘new born bard of the Holy Ghost’, and who went around baptising people until he made the ‘tactical error’ of trying to baptise several Salem ministers who promptly had him put in an asylum for a month); and Henry ...”

“... ambitions for them, rather than writing whatever would please current theatrical fashions. Emrys Jones has pointed out in The Origins of Shakespeare that the 16th century was the period of a Humanist ‘educational revolution’ which generated immense intellectual excitement and produced a heightened political and historical consciousness from the renewed ...”

“... has reconstructed is only a ‘family romance’, an operetta played out on her own toy stage. And David Lodge’s heroine complains that she is ‘getting dragged into a classic realist text, full of causality and morality. How can I get out of it?’ Trust the contemporary novelist for that, we might think – though, for Lodge’s characters, it’s a close ...”

“... art’. How did he do it? And why did the revival of the comedy of humours which lasted from Tom Jones to Thackeray’s Book of Snobs, and in which Gillray now seems a central force, shut down in the mid-Victorian years almost as unaccountably as it began? In his essay ‘On Modern Comedy’, Hazlitt offered a provisional explanation: comedy, he ...”

“... Christopher Hassall was asked to write the authorised biography in part because, as Nigel Jones notes in his own biography of Brooke, Hassall’s lengthy Life of Eddie Marsh had managed ‘to avoid the topic of his subject’s homosexuality’ and he could therefore be relied on to be discreet. (It’s unfair to say that Hassall doesn’t tell the ...”

“... defended the Liberal cause at the Punch table. John himself had been at Eton with Alan Pryce-Jones, Anthony Powell, Eric Blair and Cyril Connolly, who, we are told, stood at the door of his room in the Sixth Form Passage asking, ‘Well, Johnny Lehmann, how are you this afternoon?’ While he was at Trinity his sister Rosamond published her first ...”

“... A novel is different. A novel is a bicycle, and readers must pedal. The recent film version of David Mitchell’s Cloud Atlas gave a vivid demonstration, almost a bullet-point presentation, of how differently narrative works in the two media. The book presents the reader with a number of openings, which break off without explanation. Readers who persevere ...”

“... nexus, in favour of Spartan purity. The unlikely father of the ‘white cube effect’ was Casper David Friedrich, whose studio’s one ornament was a T-square dangling from the wall, a reminder of honest German craftsmanship in keeping with his penchant for woodwork and frame-design. Of course, Friedrich’s brand of mystical pietism was partly responsible ...”

“... Dylan’s ‘barbed-wire tonsils’ (Ian Hamilton’s words), his ‘voice like sand and glue’ (David Bowie’s). ‘Like a Rolling Stone’, Ricks says in his chapter on ‘Pride’, is saved ‘from being – in all its vituperative exhilaration – even more damnably proud than the person whom it damns and blasts . . . There can be felt in the refrain an ...”

“... that surrounds discussions of sexual conduct, whether risky and deviant or not. When I spoke to David Attenborough he was amazed to hear that someone he knew might have been named by others as part of the scene surrounding Gamlin at All Souls Place. I don’t hesitate to believe him: he clearly knew nothing about it. Others saw much more than he did and can ...”

“... a collection of essays that examine the physical and mental injuries inflicted by the civil wars, David Appleby addresses the problem of wandering soldiers. These were disbanded veterans, deserters and escaped prisoners of war, who frequently clashed with civilian communities as they tried to make their way home. Some didn’t have a home: the majority of ...”