At the Museum Ludwig
Brian Dillon: Roni Horn’s Conceptualism, 1 August 2024
“... in the 1990s, the number of pigmented forms in each increased: in Just XVIII and That I, slim green marks descend against a pale grid, like a piano roll or punch-card. By the end of the following decade, her pigment drawings had exploded: the works of the 2000s are metres-wide map-like expanses in which the coloured forms have thinned down to sinuous ... ”