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“... London in the 1880s, depends on energy coming from opposites. The novel’s protagonist, Hyacinth Robinson, appreciates beauty and feels excluded from the world of privilege around him. He lives an interior life. ‘He would,’ as James wrote in his preface, ‘become most acquainted with destiny in the form of a lively inward revolution.’ For any action ...”

“... little of the venom or relish of such fellow plutocrats as Henry Clay Frick, Andrew Carnegie or John D. Rockefeller. Most criticism he ignored, cultivating a forbidding taciturnity. ‘He left no record of his response’ is a familiar motif in the biography. What Morgan left instead – and what the biography exhaustively records and explains – are ...”

“... dark grey suits (no pinstripes), blue plastic helmets, heavy-duty wellies and – apart from John Prescott – full zip millennial grins. Showcased by a long-focus lens that tactfully blurs the background of industrial dereliction. Britain is Working. Handson management. Optimism. Good humour. That stuff. A cross between a hobbled moon walk and Neil ...”

“... by the activists whose lives Lambert temporarily shared. Known to them as Mark (‘Bob’) Robinson, he went undercover in 1983. He got a girlfriend, went to Glastonbury and became involved in the squatting and free party scene, campaigning with animal rights groups and London Greenpeace. He had a hand in writing the leaflet that formed the basis of ...”

“... cows, hawking bread in the streets, scaring birds, bookkeeping for the parish overseer. Like John Clare, who escaped to the woods to read ‘Sixpenny Romances’ as a child, he loved books and hid them from stern elders who equated reading with laziness. Unlike Clare, he got money for books from stealing and used to squirrel away halfpence when he was ...”

“... though I’d have thought the chances of him persuading his mamma to come are pretty slim. John Gielgud was once telling me about Mrs Simpson and how smart she was. ‘Mind you,’ he said, ‘she’d have made a disastrous queen. Didn’t go to the theatre at all.’ 19 January. Alan Bates opens tonight at the Barbican in the RSC production of Antony ...”

“... Antrim (1901), a collection of slightly fey dialect poems, was much praised by the poet laureate, John Masefield, and set to music by the Irish composers Charles Villiers Stanford and Hamilton Harty. They were Edwardian popular songs of the sort that Bartell D’Arcy might have been asked to sing in ‘The Dead’, when he wasn’t having a go at ‘The Lass ...”

“... star, but which applied to literature too, the success of J.B. Priestley and, at a later date, John Braine evinced by their brisk departure from their Bradford birthplace. In this respect the Brontë Sisters (Mam had seen the films, though she’d not read the books) were thought to be tragic figures, not on account of their bleak upbringing or their short ...”

“... caught any of Alan Bennett’s Westminster Abbey footage? Bennett, required to audition for the John Betjeman slot, couldn’t bring himself to deliver much more than formulaic world-weariness, a drone like a miraculously articulate David Hockney impersonator. Jonathan Meades does this schtick so much better, performs himself with lip-smacking ...”

“... because of her interest in folklore and her knowledge of the area around Coole and its people. ‘John Synge, I and Augusta Gregory, thought/All that we did, all that we said or sang/Must come from contact with the soil.’ Much of Yeats’s work on Irish folklore was, as Foster points out, a collaboration with Lady Gregory.Lady Gregory also wrote ...”

“... be equally true of its paraphrasable content.’ Taking issue with a recent editor of the Sonnets, John Kerrigan, she points to his lack of interest in the linguistic variation in sonnet 129, and says he takes ‘a single-minded expository view of the poem, as though it were a self-consistent sermon’. For Vendler, the verbal imagination’s true intent is ...”

“... the ambiguities and resorts to conventional wisdom. His list of leaders includes Harry Truman and John Kennedy – two presidents who risked war by exacerbating tensions with the Soviet Union. Dallek views FDR from the perspective of a mid-century liberal who has apparently made his peace with the warfare state. As Dallek sees him, FDR, like his cousin ...”

“... sake of your intellectual work, which I prize above everything else in life, but for some sort of Robinson Crusoe game. You … dismissed the cook, who would have been happy to do some work in exchange for a stipend, and from morning to night you engage in inappropriate physical labour … I can only say, ‘Enjoy!’ – and still be upset that such ...”

“... at George Cukor’s house in Hollywood in 1972. Fifteen famous directors are there, including John Ford, Rouben Mamoulian, Robert Mulligan, George Stevens, Robert Wise, William Wyler, Billy Wilder. Hitchcock sits next to Buñuel, says very little, then at one point puts an arm round his companion’s shoulder and says with deep ...”

“... New York and the other some weeks later in Salzburg, in a lean, semi-staged concert rendition by John Eliot Gardiner and his period-instrument Orchestre Romantique et Révolutionnaire. This was followed, again in Salzburg, by Georg Solti conducting several staged performances of Fidelio, and in New York by Kurt Masur and the NY Philharmonic doing one ...”