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“... Ingmar Bergman, T.S. Eliot, E.M. Forster, Giacometti, Graves, Isherwood, Heard, Huxley, St-John Perse, Gilbert Ryle, Schoenberg, Shostakovich, Edith Sitwell, Evelyn Waugh. Some, including Eliot and Huxley, are evoked at length; others come to rest in a marvellous single image. Edith Sitwell’s eyes are ‘heavily ...”

“... and fumes from coal (‘sea-coal’) burned in breweries, bakeries and glass foundries. John Evelyn’s Fumifugium, or, the Inconvenience of the Aer and Smoak of London Dissipated (1661) dismissed the idea that domestic hearths had much to do with it – probably correctly at the time.Evelyn wrote about ...”

“... influence on his early fiction, however, was Raymond Roussel, to whose work he was introduced by John Ashbery in 1956: Roussel’s ‘sovereign genius’, Mathews later declared, ‘demonstrated to me that psychology was a dispensable fashion, that the moral responsibilities of writing did not lie in a respect of subject matter, and that the writing of prose ...”

“... that it was, somehow, their home. Johann Burckhardt, William Thomson (known as Osman effendi), John Gardner Wilkinson, Robert Hay and Edward Lane also ‘went native’ on their travels. Like Champollion, they aped the robes and turbans of the Ottoman ruling class, browned their skin, and made a show of living in ‘Oriental’ style. Hay, Burton and ...”

“... out of the modernist mainstream. His work was not, Soden points out, so different in its themes. Evelyn Waugh’s take on the Bright Young Things, Vile Bodies, was exactly contemporary with Private Lives. Auden and Isherwood made use of revue, music hall and jazz. Virginia Woolf explored bisexuality in her life and work. Woolf did develop a fragile and ...”

“... to the burning sun, which sends him blind. One other scene stands out. The hero, Harry Faversham (John Clements), fears he is a coward and having declined to go with his regiment to the Sudan goes native in order to prove himself by working unrecognised to assist his ex-colleagues who have sent him the feathers. To corroborate his disguise as a harmless ...”

“... of God, as well as a history of our self-conceptions, of our utopias and terrors, and this is what John Casey provides. Casey is in many ways an ideal guide. He is bracingly conservative about the writing of cultural history, meaning that he likes texts, and chronology, and evidence. He has taught English at Cambridge for many years, and his book has about it ...”

“... pattern with Johns. About one fifth of all males in the UK between 1800 and 1850 were christened John and the vast majority of the other men and boys around at the time were Joseph, James, Thomas or William. Around 1850, however, the repertoire of names in regular use began to increase rapidly. As Gothic-looking steeples rose around the country, so ...”

“... Beasts in interest. The volume has a valuable seventy-page introduction and some useful notes by John Haffenden, who arranges the material as far as possible in chronological order. The play or melodrama, Three Stories, was written when the poet was 20, and performed, with him in the cast, by the Cambridge ADC. Long supposed to have been lost as Empson ...”

“... driving an ambulance). The designer Eileen Gray and her ‘companion’, the weaver and cellist Evelyn Wyld, were part of a fleet of drivers assembled by Lily de Gramont. Dolly Wilde joined them. Anne Morgan, daughter of J.P. Morgan, started the ‘heiress corps’ with her partner, Anne Murray Dike. For many, it was liberating. Women referred to one ...”

“... for Mac-Neice’s cool aloofness (when he wasn’t ‘egregiously cheeky’), and for Evelyn Waugh’s dislike of everything Cunningham dislikes (‘Auden deserved Waugh’s chidings. So did Waugh’). Yet even the writers who enjoy intermittent praise in this book must find it a dizzying experience to read it on the foothills of Parnassus. One ...”

“... Lancaster and Anthony Powell have both always let their participles dangle with abandon, and Evelyn Waugh, in the same chapter of his autobiography which tells us that only those who have studied Latin can write English, perpetrates at least one sentence whose past participle is so firmly attached to the wrong subject that there is no prising it ...”

“... names and now meaningless events: Yesterday I introduced James to Mrs Inman; – in the evening John Bridges returned from Goodnestone – and this morn before we had left the Breakfast Table we had a visit from Mr Whitfield, whose object I imagine was principally to thank my Eldest Brother for his assistance. Poor Man! – he has now a little intermission ...”

“... he would have been disappointed. There was some half-hearted praise from Movement types, but when John Carey, for example, needed an honourable popular writer to batter the highbrows with in The Intellectuals and the Masses (1992), he turned to Arnold Bennett. Morgan’s biography had a memorable centrepiece: a description of the senile Maugham crapping on ...”

“... briefly (as he did in recording, for Larkin’s delight, his response to an unimpressive poem by John Wain): ‘Could of told you that, shitface.’ Amis was not born into the literary purple, as many of the Bloomsburyish or Bloomsbury-affiliated writers of the previous generation had been, and this humbler background was thought to be somehow explanatory of ...”