Cage’s Cage
Christopher Reid, 7 August 1980
“... status is, of course, more doubtful, even where a great composer is concerned. The Stravinsky/Robert Craft dialogues provide a case in point: can these unlikely confections, stilted essays in what one might call the comedy of conversational manners, really be taken seriously? In a sense, yes, they can. Their rhetoric – an arch, Nabokovian, dictionary ... ”