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“... showed around twenty NF supporters, all men, giving Nazi salutes as they went into Southall Town Hall. Southall was one of the most racially diverse areas in London: in five wards surveyed in 1976, 46 per cent of the population had been born in the New Commonwealth. The National Front’s candidate, John Fairhurst, had stood in nearby Hayes and Harlington in ...”

“... technology: less 2000 than 2001. The first plate shows ‘Analyst/Programmer Peter James at work on the British Library Online Catalogue’. Peter James’s head is cropped to give a central prominence to his hands on the keyboard and the all-important screen which displays ...”

“... in 1985) offers little more than a glimpse of a lifetime of painstaking research on Ruskin. Peter Fuller’s provocative Theoria was not a university product. There is no shared perspective in these books. Hewison and Fuller, Ruskin’s most polemical advocates, have made incompatible political claims for his thought. What they do have in common is a ...”

“... in one of the Giardini’s most beautiful pavilions (designed by Sverre Fehn in 1962), is a hall of light and broken glass, where ethereal sounds are relayed by long angular speakers. The French have dug up three Scots pines and set them on slowly rotating platforms, one in the pavilion, two outside; they make an almost imperceptible waltz against the ...”

“... right enemies (and not find himself finessed so that he’s lined up with Sewell – or the late Peter Fuller) and stay out on the left flank; his fury is rather Victorian – Ruskin’s rage against the immoralism of the Baroque. Oddly enough, Matthew Collings – in the book of his Channel Four series – says many of the same things as Stallabrass; he ...”

“... every string, in vain, to get him the Prix Goncourt. He took to racing cars and flying – ‘like Peter Pan’, he told Francis Jammes. Le Grand Meaulnes was written, for the most part, in Rue Cassini. If he had survived the war, what would he have written? Not, probably, Colombe Blanchet, which he had begun, but, as he put it himself, about ‘the countries ...”

“... up at the food bank. In the third section, Rachel is at Oxford University, where, in the dining hall of her college, there’s a portrait of a former fellow, none other than Henry Winshaw, sitting at a desk in front of the words ‘FREEDOM, COMPETITION, CHOICE’. Winshaw turns out to have been a mentor to the current rector of the college, Lord Lucrum, who ...”

“... took on a North American look. The dust-jacket shows the austere lonic Portland stone sculpture hall. Spalding observes, justly, that by insisting on the intervention of the American architect John Russell Pope in 1929 the sponsor, Lord Duveen of Millbank, was promoting, against the inclinations of British curators and civil servants, the ‘latest American ...”

“... native ‘Germanic’ peoples with their humane and homely domestic architecture, embodied in the hall-centred house, and the oppressive forces first of the Normans, with their castles, and later the neo-Palladians, who imposed rigid Italianate symmetry. Elizabeth, queen of ‘merry England’, was a Good Thing, ‘just, sensible and far-sightedly ...”

“... range of contemporary images, from cheap woodcuts to the expensive sculptures decorating the town hall of Amsterdam (now the royal palace), from Pieter de Hooch, the painter of interiors, to Romeyn de Hooghe, the printmaker. These images add a great deal to the immediacy of this attractive book. Description, however, is not the only aim of this study. We are ...”

“... high points in any triumphalist account. When the great Maitland was dining as a guest at Trinity Hall, the Master referred contempiuously to ‘the little scraps and snips of information which a popular newspaper was in the habit of serving up for its readers’. ‘That,’ said Maitland, ‘is what we call Political Science here.’ Burrinchini’s opinion ...”

“... camera never moves. There are long, wide shots with landscapes of the revolution: the Maidan; a hall where protesters are sleeping; the soup kitchen. This is self-consciously anti-Eisenstein. There are few editing cuts, no stirring close-ups, no dynamic montage; the audience’s sympathies aren’t guided, they aren’t told where to look. Loznitsa wants to ...”

“... But Høyem was usually gone by the time I ran across the empty Aula, the glass-walled main hall, panting as I rushed from point to point of the star in search of my class (was it French or biology this morning?), until I bundled breathless into the right one, half proud of my lateness and obvious intoxication, half dreading a teacher would pull me up ...”

“... specificity. The repeated refrain, ‘for the first time’, comes to sound like a music hall compère introducing a new act. He ridicules the crudity of a dualist pathology that divides everything into antinomies – normal/abnormal, healthy/sick etc – but then indulges in such antinomies himself. He describes Samuel Tuke, for example, as having ...”

“... rap for the exquisite but evil Margot Beste-Chetwynde, and reflects onthe undeniable cogency of Peter Beste-Chetwynde’s ‘You can’t see Mamma in prison, can you?’ The more Paul considered this, the more he perceived it to be the statement of a natural law. He appreciated the assumption of comprehension with which ...”