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... was your family? FW: Well, my mother was the daughter of Ada Leverson, who was a friend of Oscar Wilde: he called her the Sphinx. She was very literary. I don’t think my mother would have said she was literary herself, though she did later write books, which were published. My father was much older than my mother. She was a VAD in the First ...

A Regular Bull

Christopher Hitchens, 31 July 1997

Whittaker Chambers: A Biography 
by Sam Tanenhaus.
Random House, 640 pp., $35, February 1997, 0 394 58559 3
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... his years as a spy. He was going under the moniker of George Crosley when Hiss knew him. Not since Oscar Wilde regretted the ugliness of his serving boy while under oath has any cleverly crafted reply exacted such a stiff price. One of these days I’m going to write a book called ‘Guilty as Hell: A Short History of the American Left’. Revisionism has ...

Et in Alhambra ego

D.A.N. Jones, 5 June 1986

Agate: A Biography 
by James Harding.
Methuen, 238 pp., £12.95, April 1986, 0 413 58090 3
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Subsequent Performances 
by Jonathan Miller.
Faber, 253 pp., £15, April 1986, 0 571 13133 6
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... relationship between Bassanio and Antonio made me think of the relationship between Oscar Wilde and Bosie where a sad old queen regrets the opportunistic heterosexual love of a person whom he once adored.’ This is indeed a superimposition – more acceptable, perhaps, in 1970 than at some other periods of Time. Alternative dumb-shows ...

Krazy Glue for All Eternity

Jessica Loudis: Mrs Escobar, 18 June 2020

Mrs Escobar: My Life with Pablo 
by Victoria Eugenia Henao.
Ebury, 544 pp., £12.99, August 2019, 978 1 78503 992 8
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... luxury brands and misjudged quotes from European writers. (‘True love suffers, and is silent,’ Oscar Wilde offers in the epigraph.) Where Henao’s book is a cautious reckoning polished by decades of therapy, Loving Pablo is an insider’s account written with an eye to the tabloids. Which, of course, was a winning sales strategy: the book became a ...

He is cubic!

Tom Stammers: Wagnerism, 4 August 2022

Wagnerism: Art and Politics in the Shadow of Music 
by Alex Ross.
Fourth Estate, 769 pp., £14.99, September 2021, 978 0 00 842294 3
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... The same piece of work might mean different things at different times to the same person, as Oscar Wilde wrote of the Tannhäuser overture, which on one occasion summoned up images of ‘that comely knight treading delicately on the flower-strewn grass’ and the next ‘the poison of unlimited desire’. Ross’s book goes beyond description or ...

What! Not you too?

Richard Taws: I was Poil de carotte, 4 August 2022

Journal 1887-1910 
by Jules Renard, translated by Theo Cuffe.
Riverrun, 381 pp., £20, October 2020, 978 1 78747 559 5
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... It’s a thrill to see him turn his eye on his own circle. On 7 April 1892, for instance: ‘Oscar Wilde next to me at lunch. He has the oddity of being an Englishman. He offers you a cigarette, but selects it himself. He does not walk around a table: he moves the table out of the way. A face worked over by tiny red worms, long cavernous teeth. He ...

Small Special Points

Rosemary Hill: Darwin and the Europeans, 23 May 2019

Correspondence of Charles Darwin: Vol. 26, 1878 
edited by Frederick Burkhardt, James Secord and the editors of the Darwin Correspondence Project.
Cambridge, 814 pp., £94.99, October 2018, 978 1 108 47540 2
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... By 1901 surprises had included the invention of the telephone, two Boer Wars and the trial of Oscar Wilde. ‘Temper’ is an elusive quality, but from the early 1870s it was shifting. The last three Victorian decades were different, more doubtful and more divided, than the vigorous High Victorian years. From the world of Landseer and Dickens to that ...

In Memory of Eustache-Hyacinthe Langlois

Rosemary Hill: Where is Bohemia?, 6 March 2003

Bohemians: The Glamorous Outcasts 
by Elizabeth Wilson.
Tauris, 288 pp., £11.99, October 2002, 1 86064 782 0
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Quentin & Philip 
by Andrew Barrow.
Macmillan, 559 pp., £18.99, November 2002, 0 333 78051 5
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... will do, and they are as often heroes as outcasts. Crisp was first an outcast and then a star; Oscar Wilde went the other way, while Byron was both at the same time. Whatever the experience of individuals, the essence of bohemia as an idea, which is Wilson’s real subject, is a critique of middle-class values, a love-hate relationship between inside ...

Losing the Light

Michael Wood: Memories of Camus, 19 August 2010

L’Eté 
by Albert Camus.
Gallimard, 192 pp., €18.50, February 2010, 978 2 07 012927 0
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Albert Camus: Solitaire et Solidaire 
by Catherine Camus.
Lafon, 208 pp., £39.90, December 2009, 978 2 7499 1087 1
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Albert Camus: Elements of a Life 
by Robert Zaretsky.
Cornell, 200 pp., £16.50, March 2010, 978 0 8014 4805 8
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Albert Camus: Fils d’Alger 
by Alain Vircondelet.
Fayard, 396 pp., €19.90, January 2010, 978 2 213 63844 7
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... of those they love.’ He’s just thinking aloud, even if Camus is glancing at Dostoevsky and Oscar Wilde. His main impression of the court that tries him is that it’s ridiculous, but he’s alert enough to remind himself that this impression is stupid, ‘because what they were looking for here was not the ridiculous but the criminal’. And ...

It could be me

Joanna Biggs: Sheila Heti, 24 January 2013

How Should a Person Be? 
by Sheila Heti.
Harvill Secker, 306 pp., £16.99, January 2013, 978 1 84655 754 5
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... points of the novel (others were Warhol and Werner Herzog and Kierkegaard and Otto Rank and Oscar Wilde) was the first season of The Hills, an American structured reality show that began on MTV when Heti was 28: ‘I was like, what if we cast ourselves as those girls have been cast?’ The Hills followed blonde best friends trying to make it in ...

False Moderacy

T.J. Clark: Picasso and Modern British Art, 22 March 2012

Picasso and Modern British Art 
Tate Britain, 15 February 2012 to 15 July 2012Show More
Mondrian Nicholson: In Parallel 
Courtauld Gallery, 16 February 2012 to 20 May 2012Show More
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... and hybrid) modern art. When Bomberg went to Paris with Epstein in 1913 – in the wake of the Oscar Wilde tomb scandal Epstein had all the right contacts – he went straight to the source. ‘Picasso,’ he reminisced later, maybe forcing the note a little, ‘was appreciative of my aims.’ (What did Bomberg show him? The breakneck drawings of ...

Suicidal Piston Device

Susan Eilenberg: Being Lord Byron, 5 April 2007

Imposture 
by Benjamin Markovits.
Faber, 200 pp., £10.99, January 2007, 978 0 571 23332 8
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... its own intentions. Benjamin Markovits, The Syme Papers Poor Bunbury died this afternoon. Oscar Wilde, The Importance of Being Earnest If everyone says Tom did it when the man who did it was Will, the result is what one calls an error, and Will is done out of his due. If while everyone says Tom did it you see Will and hail him as Tom, error ...

Bristling with Diligence

James Wood: A.S. Byatt, 8 October 2009

The Children’s Book 
by A.S. Byatt.
Chatto, 617 pp., £20, May 2009, 978 0 7011 8389 9
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... to Der Sandmann and The Winter’s Tale and Cinderella, there are described performances of Wilde’s Salome, Barrie’s Peter Pan, Marlowe’s Dr Faustus, at least three separate versions of A Midsummer Night’s Dream, and two plays written by Olive Wellwood and staged by August Steyning, The Fairy Castle and Tom Underground.) Even her ...

Finishing Touches

Susannah Clapp, 20 December 1984

Charlotte Mew and her Friends 
by Penelope Fitzgerald.
Collins, 240 pp., £12.95, July 1984, 0 00 217008 6
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The Collected Letters of Katherine Mansfield. Vol. I: 1903-17 
edited by Vincent O’Sullivan and Margaret Scott.
Oxford, 376 pp., £15, September 1984, 0 19 812613 1
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... as Miss Lotti, the parasol-carrying, self-effacing homebody, who broke with Harland because Oscar Wilde’s trial besmirched the Yellow Book’s reputation, and as Charlotte Mew, the poet and headbanger, who fell for Harland’s assistant Ella d’Arcy, and pursued her to Paris. For two months in 1902 Mew gloomed up and down the Champs ...

Sunday Best

Mark Ford: Wilfred Owen’s Letters, 26 September 2024

Selected Letters of Wilfred Owen 
edited by Jane Potter.
Oxford, 436 pp., £25, August 2023, 978 0 19 968950 7
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... the thrill and satisfaction that accompany his tableaux of chaos and maiming. It is the ghost of Oscar Wilde, whose loyal confidant Robbie Ross had befriended Owen some months before the drafting of ‘Strange Meeting’, who haunts the violent Liebestod enacted in the poem’s conclusion:I am the enemy you killed, my friend.I knew you in this dark, for ...

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