At Tate Modern
Hal Foster: Robert Rauschenberg, 1 December 2016
“... then on a quiet Sunday he laid the paper down on Fulton Street and had Cage drive his Model A Ford slowly down its length as he applied black paint to a rear tyre. With its long, literal impression, Automobile Tire Print insists on the horizontal axis of its making, which subverts the conventional verticality of the image. In this way it presaged the ... ”