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At the V&A

Jenny Turner: Ballgowns, 5 July 2012

... Upstairs at the V&A exhibition, the layout is that of the digital panopticon. Arty photos – by David Hughes – are projected on the walls all around of the same ugly, theatrical dresses you can see life-size on display, worn by skinny department-store mannequins, with books and lampshades and hedges for faces. The fabrics themselves are digitally panoptic ...

The Money

Adam Shatz: What the War is Costing, 6 March 2008

... estimate rises to almost $5 trillion.* And that’s just the cost to the United States. Gordon Brown reserved £1 billion for the war. Britain has now spent more than £5 billion on ‘direct operating expenditures’ in Iraq, and Stiglitz and Bilmes predict that by 2010 the cost of the war will exceed £20 billion. Some of this money has come from a ...

Confusion is power

David Runciman: Our Very Own Oligarchs, 7 June 2012

The New Few, or a Very British Oligarchy: Power and Inequality in Britain Now 
by Ferdinand Mount.
Simon and Schuster, 305 pp., £18.99, April 2012, 978 1 84737 800 2
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... than a cobbled-together document designed to paper over the cracks long enough to prise Gordon Brown out of Downing Street. (He is also a little confused about timing: he gives the date of the formation of the coalition – ‘the most interesting political event I have witnessed’ – as May 2011, a year after it happened.) No doubt Clegg and Cameron ...

When to Wear a Red Bonnett

David Garrioch: Dressing up and down in 18th century France, 3 April 2003

The Politics of Appearance: Representation of Dress in Revolutionary France 
by Richard Wrigley.
Berg, 256 pp., £15.99, October 2002, 1 85973 504 5
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... poor might also wear cast-offs, but carefully patched – most colours faded to a drab greenish-brown, so the patches broadly matched the rest. Particular occupations – butchers, for example, or printing workers or locksmiths, were readily distinguishable from the stains on their aprons and clothes, and since both wigs and hair were worn plentifully ...

Diary

W.G. Runciman: Exit Blair, 24 May 2007

... that credit for Labour’s economic record and therefore electoral success has largely been due. Brown, indeed, had no choice, if he was not to be branded as disloyal to the party, but to help Blair into a third term of office by loosening the purse-strings to an extent that he might not otherwise have thought it prudent to do. A more effective parliamentary ...

Diary

Kevin Kopelson: Confessions of a Plagiarist, 22 May 2008

... shove it into my own prose regardless of how tiresome that is. Take my last book, on the satirist David Sedaris. Not only do you get more Proust than you’d ever care for, you get an awful lot of Sedaris – pure, unadulterated Sedaris. It’s not that I’m lazy. Or rather, it’s not just that I’m lazy. I do much more in Sedaris than quote Sedaris, much ...

Diary

Tom Paulin: Summer in Donegal, 16 September 1999

... I read under Hazel: ‘Fruit, a true nut, egg-shaped, up to 2cm long, pale green becoming brown with woody shell, enclosed in deeply and irregularly lobed involucre, nuts solitary or in clusters.’ I like the Joycean pedantry of that word for husk, ‘involucre’. Hazel is the tree of knowledge, ‘noble of the wood’, its Irish vernacular name is ...

Fever Dream

William Davies: Fourteen Years Later, 4 July 2024

... is illegally presented with a birthday cake. A Tory staffer throws up as the exit poll drops. David Cameron keeps his bladder full all night to achieve maximum focus during EU negotiations. The Bank of England takes emergency action to stave off financial panic following the ‘mini-budget’. David Bowie implores ...

On the Coalition

LRB Contributors, 10 June 2010

... government to power.’ (Nor a Labour one, for that matter; the turning point for me came when David Miliband claimed that they’d been ‘punished enough’ for the Iraq War: ‘Well, you haven’t actually been voted out of office,’ I growled.) The gloom quickly gave way to a sense of the advantages. For a start the voters might have fallen a little ...

Leave them weeping

Colin Grant: Frederick Douglass, 1 August 2019

Frederick Douglass: Prophet of Freedom 
by David Blight.
Simon and Schuster, 892 pp., £30, November 2018, 978 1 4165 9031 6
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... talent for making viscerally real what was for many readers the abstraction of slavery. As David Blight puts it in his excellent new biography, he ‘learned how to leave them weeping’.But the Narrative’s publication also threatened Douglass’s safety. He was still a slave who could legally be recaptured – easily, since the book identified him ...

Diary

Andrew O’Hagan: Have You Seen David?, 11 March 1993

... in the company of a boy, smaller and younger than ourselves, a fragile boy with ginger hair called David. I think we thought of him as ‘our boy’. We bossed him. Occasionally, when he didn’t walk straight or carry our bags or speak when we wanted him to, we’d slap him or hit his hands with a ruler. We had to pass through fields to get to school, with ...
Once a Jolly Bagman: Memoirs 
by Alistair McAlpine.
Weidenfeld, 269 pp., £20, March 1997, 9780297817376
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... to put together an anthology of Parliamentary applications for Private Eye’s Order of the Brown Nose would stumble before long on an obsequious supplementary question from David Evans, one of the very first Tories to make a million out of privatisation (in his case from rubbish collection). Again and again, at Prime ...

At Tate Britain

Peter Campbell: Peter Doig, 6 March 2008

... frequently); others where what is special is an eerie suburban ordinariness (David Lynch’s small-town America). Doig’s landscapes, to a greater degree than most you might include in an anthology of painted and filmed scenery, suggest a surprising discovery about to be made, rather than something that’s been imposed on an amenable ...

At the Royal Academy

Peter Campbell: Frank Auerbach, 4 October 2001

... is a serious exhibition.1 The pictures themselves signal it with heavy colour: first, black, grey, brown, mud and rust, and, in later pictures strong reds and yellows (when he could afford it – earth colours are cheap). Thick paint – in early pictures so thick that it seems to parody all its Expressionist precursors – and wide strokes add weight to the ...

At the National Gallery

Peter Campbell: Russian landscapes, 5 August 2004

... In some cases the viewer becomes like the figure that stands dwarfed in the foreground of Caspar David Friedrich’s Monk by the Sea, which is reproduced in the catalogue alongside Kleist’s reaction to it: ‘It was like someone having their eyelids cut off.’ Even landscape can be painfully revealing. The German connection is important, but if one lists ...

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