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“... Huntington was more of a taxonomer, acquiring hundreds of thousands of objects to create ‘a broad outline without duplication’ of Spanish and Hispanic art and culture. He wanted, as he put it, to ‘capture the soul of Spain in a museum’ and, in May 1904, he founded the society as a free public library, museum and educational institution. The RA ...”

“... he lists Henry Vanderborcht, John Vander-heydon, Adrian Van-Diest, Sir Anthony Vandyck, William Vander-velde, Francis Vanzoon, Herman Verelst and F. de Vorsterman, and with a little more diligence he could easily have doubled this collection of foreign Englishmen. Of the 106 painters accorded a biographical sketch by Buckeridge, 55 were immigrants ...”

“... of Pat Buchanan, the neolithic challenger to George Bush’s renomination in 1992, and William Buckley, the acidulous Catholic pundit, while making us uncomfortable about longstanding liberal assumptions? This brief volume is not an intellectual ‘life review’, to borrow a gerontological term, but a solemn reflection on the philosophical ...”

“... a degree of consciousness and concentration which the very best stories don’t seem to have. William Gass rationally observed that the story ‘is a poem grafted onto a sturdier stock’ but Borges decreed that ‘unlike the novel, it may be essential.’ That has an ominous sound. None of these suggestions seems to fit the way in which V.S. Pritchett ...”

“... in a more complex and satisfying way than journalism ever could. A copyright note records that William Boyd’s 13 stories originally appeared in sites as diverse as the London Magazine, Mayfair (a down-market, English Playboy), Punch and on Radio 4’s Morning Story. Teasingly, the acknowledgment doesn’t tell us which story belongs where. But it is safe ...”

“... family reader. As will be evident, BLM’s definition of what constitutes a literary magazine is broad, verging on indiscriminate. Woman’s World and Vanity Fair gain entry, as does Rhythm (although the editors have generally steered prudently clear of little magazines). Journals like the Contemporary Review which snootily considered themselves above ...”

“... turned ankle, rather than a fat, self-indulgent tyrant; Elizabeth not trusting anyone. In 1563 William Cecil drafted a decree demanding that she be content that some special cunning painter might be permitted by access to her Majesty to take the natural representation of her Majesty whereof she hath always been of her own will and disposition very ...”

“... Van Dine’s famous aesthete-sleuth – polo player, expert in Chinese ceramics, former student of William James – whom Raymond Chandler regarded as ‘the most asinine character in detective fiction’, and on some level that’s probably the point. (‘I’m not Sherlock Holmes or Philo Vance,’ Marlowe says later on.) Even so, it’s surprising that ...”

“... to the left of the headword. Murray’s successors William Craigie and Charles Onions tussled over whether to maintain this practice. Proofs of the Supplement dated 11 September 1929 retain Murray’s so-called tramlines; in the next proofs, dated 2 July 1930, they are gone. Between these dates, Onions joined the BBC Advisory Committee on Spoken English, where he became acutely aware of the prejudices that led some people to stigmatise new or imported terms; tramlines, he felt, didn’t help ...”

“... by the 19th-century forgers were more sophisticated, though less celebrated, than those with which William Henry Ireland in the previous century had deceived James Boswell and many others, though not the great Shakespearean Edmond Malone (himself guilty of tampering with manuscripts). The men of this new age were scholars, working in a tradition often said to ...”

“... interested in how the transition from the actual to the utopian is made, in contrast with William Morris’s News from Nowhere, which, as Perry Anderson has noted, is that rarest of socialist utopias, one which describes in some detail how the revolution actually came about. Nor are they especially interested in what their utopias look like. The ...”

“... expect from the author of Plateforme (2001), and a less expected enthusiasm for the writings of William Morris – becomes the victim of an extravagantly gruesome murder. The Map and the Territory therefore carries out a kind of double self-annihilation: the imagined slaying of the writer called ‘Houellebecq’, and the aesthetic triumph of an artist ...”

“... Perhaps. But the following things really happened. President Kennedy was shot down in the light of broad day. His assassin was murdered on camera while in maximum security. Richard Nixon’s intimates fed high-denomination dollar bills into a shredder in order to disguise their provenance in the empire of – Howard Hughes? Marilyn Monroe fucked both Kennedy ...”

“... wrong – Swallow should be a scholar of Charles Lamb (the ‘gentle-hearted’) – but the broad allusion did pretty much what was wanted, assuring the theoretically advanced that they were now top dogs. Condescension usually has an anxious motive. Eliot, as Tom Paulin is on hand to say, was working from a subtext of his own: Hazlitt’s crimes against ...”

“... for public attention, rather than acting as the spokesmen for inherently incompatible values. William Wordsworth, whose essays and prefaces originated much of the rhetoric of high-cultural debate, distinguishes between a taste for poetry – which involves active mental participation by the reader – and one for ‘rope-dancing, or Frontiniac or ...”