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“... the admission of women and the propriety of electing such eccentric and tasteless writers as T.S. Eliot. In fact the Academy has been less famous for the writers and artists it included than for those it didn’t (Hemingway, Dewey, Mencken, Salinger, Thurber, Edmund Wilson, Nabokov) and for those who, having joined, resigned (Thomas Hart Benton, Lewis ...”

“... first girlfriend in Paris. Now we are promised the text of a (dullish) letter from T.S. Eliot, who took French lessons for a while from Fournier. The quest continues. For 1986, the centenary of Henri’s birth, Carcanet have brought out Alain-Fournier: A Brief Life by David Arkell, describing him as ‘the noted literary sleuth’. This, I ...”

“... suggests there is something wrong with it, or, perhaps, something wrong with the reader. T.S. Eliot said that it meant ‘so good a novel that only sensibilities trained on poetry can wholly appreciate it’, which makes most readers feel that they’re too late to qualify. Sebastian Barry is a poet who has written a novel, so we must see what we can ...”

“... vulgar fantasy. Yvor Winters said Poe’s was an art for servant girls. Both Henry James and T.S. Eliot used the deadly word ‘provincial’. Auden condemned a sentence from ‘William Wilson’ as vague and verbose, and Aldous Huxley summed up Poe as ‘one of Nature’s Gentlemen, unhappily cursed with incorrigible bad taste ... diamond rings on every ...”

“... his kingdom, others that as a defender of the Church he was a martyr’ – positions which T.S. Eliot echoed in Murder in the Cathedral (1935). Becket’s death was shocking, but his canonisation as a saint in 1173 was far from a foregone conclusion. The French pressed for it, but it was bitterly opposed by those English bishops who recognised it as a ...”

“... Ever have guessedWhat was behind that innocent face,    Drumming, drumming!And T.S. Eliot wrote to congratulate the Daily Mail on their benign attitude towards the gallows, an attitude ‘in striking contrast with the flaccid sentimentality of other papers I have seen, which have been so impudent as to affirm that they represented the great ...”

“... Fisher King will remain unhealed as a result of his failure to speak. Perceval’s unfulfilled task, in fact, was not to find an answer, but to ask a question. So far as he is concerned, the answer is beside the point. Several thousand lines later, he is told, without having to ask for the information, who is served from the grail (the father of the maimed ...”

“... Instead he dedicated himself to learning English, which led to work as a translator (of T.S. Eliot and William Faulkner, as well as crime fiction), to foreign travel (he was in the US when government troops fired on students in Tiananmen Square) and a doctorate. But familiarity – Qiu has lived in the US since 1989 – has done nothing to convert him to ...”

“... always having been allowed to be one. Mellers says that ‘very sophisticated poets like T.S. Eliot and W.H. Auden, sometimes listed among his sources’, seem to have little affinity with Dylan, yet 11 pages later attributes to Dylan the claim that ‘in my end is my beginning.’ This kind of sliding around matters, partly because Dylan has talked about ...”

“... of adulatory comparisons. Hill is like – and therefore on the same level of achievement as – Eliot, Yeats, Mandelstam, Lowell, Blake, Pasternak. Ricks pretends to discover a mystic complexity in pure platitude and bathos: The hyphen cannot but acknowledge, in the moment when it conceives of two things coming together, that they are nevertheless two not ...”

“... wrote quantities of prose. It appeared, over the years, in an impressive range of journals, from Eliot’s Criterion and Leavis’s Scrutiny to Vogue and the New Yorker; from the Daily Herald to many and various obscure little magazines. He reviewed books of almost all sorts and found further occasions for writing prose ...”

“... so tellingly in Romantic Image, published the following year. That story was identified with T.S. Eliot, who had first coined the phrase ‘dissociation of sensibility’ in a review-essay about the Metaphysical poets in 1921 – to challenge it in such forthright terms smacked of lèse-majesté even in the dog years of ...”

“... Much of the modern reputation of Lancelot Andrewes stems from an essay T.S. Eliot published in 1926, in which he ranked the sermons with ‘the finest English prose of their time, of any time’. Eliot’s essay marked the tercentenary of the death of a contemporary of Shakespeare, who between 1588 and his death had been successively or simultaneously vicar of St Giles Cripplegate; master of Pembroke College, Cambridge; prebendary of St Paul’s; dean of Westminster; and bishop of Chichester, Ely and, finally, Winchester ...”

“... Eliot’s Clark Lectures ‘On the Metaphysical Poetry of the 17th Century with Special Reference to Donne, Crashaw and Cowley’ were commissioned in 1925 and delivered at Trinity College, Cambridge in 1926. Since then they have been famous for not being available. Eliot intended to make them into a book called The School of Donne, which would be far longer, partly because – on the face of it unexpectedly, given his title – he wanted to write a lot more about Dante ...”

“... Spectator in August 1929 on, portentously, ‘Problems of the Poet and the Public’. Then T.S. Eliot printed four of the 21-year-old Spender’s poems in the Criterion, bestowing the imprimatur that really counted at the time. Predictably, hosannas of praise greeted his slim volume Poems 1933, published, of course, by Faber – ‘an unmistakable ...”