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At the Whitechapel

Peter Campbell: ‘Faces in the Crowd: Picturing Modern Life from Manet to Today’, 6 January 2005

... link the artworks, and because the art comes from so many hands in so many styles, they tend to read as examples and illustrations even though many of them are very fine in themselves. The show is visually disjunctive but intellectually suggestive.For example, both Walker Evans’s 1938-41 photographs of subway riders and Käthe Kollwitz’s Prisoners, an ...

At Tate Modern and Modern Art Oxford

Peter Campbell: Joseph Beuys and Jannis Kounellis, 17 March 2005

... Kounellis, who said that the task was ‘to tell the tale of the enormous drama of loss’, can be read in terms which are primarily aesthetic; it is significant that he has, over the years, made a number of installations which, unlike Beuys’s, don’t refer to society or politics, but confront the traditional displays and spaces of churches and museums.In ...

Granny in the Doorway

Jonathan Raban: Sheringham, 1945, 17 August 2017

... which, I believed, were flown to Fakenham for me by aeroplane. My mother was teaching me to read, for I was her chief distraction from the war. When she wasn’t listening to the wireless or writing her daily letters to my father, she and I were playing alphabet cards – sounding out the letters and making words. Cat, mat, hat, sat, rat, fat. Pretty ...
In the Tennessee Country: A Novel 
by Peter Taylor.
Chatto, 226 pp., £14.99, September 1994, 0 7011 6253 8
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... a foreign country, where things are differently done. I had not encountered the Tennessee novelist Peter Taylor before, and this book came as something of a revelation. As a writer he has the gift, which seems both wholly natural and yet to go with a very conscious discipline and decorum, of putting the reader calmly inside his world in his first few ...

Recognising Mozart

Peter Gay, 7 July 1988

Mozart the Dramatist: The Value of his Operas to Him, to his Age and to Us 
by Brigid Brophy.
Libris, 322 pp., £17.50, June 1988, 1 870352 35 1
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1791: Mozart’s Last Year 
by H.C. Robbins Landon.
Thames and Hudson, 240 pp., £12.95, March 1988, 0 500 01411 6
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Mozart: Studies of the Autograph Scores 
by Alan Tyson.
Harvard, 381 pp., £27.95, January 1988, 0 674 58830 4
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... His extensive quotations of financial accounts or from unedited reports of Mozart’s hairdresser read a little like free association in print, as though he finds it hard to shed the procedures that proved so invaluable in his great Haydn chronicles. Thus, a little apologetically, he reprints the complete catalogue of Mozart’s clothing as compiled after his ...

City of Blood

Peter Pulzer, 9 November 1989

The Jews of Vienna in the Age of Franz Joseph 
by Robert Wistrich.
Oxford, 696 pp., £45, June 1989, 0 19 710070 8
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Vienna and the Jews, 1867-1938: A Cultural History 
by Steven Beller.
Cambridge, 271 pp., £27.50, August 1989, 0 521 35180 4
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The German-Jewish Economic Elite 1820-1935: A Socio-Cultural Profile 
by W.E. Mosse.
Oxford, 369 pp., £35, October 1989, 0 19 822990 9
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Decadence and Innovation: Austro-Hungarian Life and Art at the Turn of the Century 
edited by Robert Pynsent.
Weidenfeld, 258 pp., £25, June 1989, 0 297 79559 7
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The Torch in My Ear 
by Elias Canetti, translated by Joachim Neugroschel.
Deutsch, 372 pp., £13.95, August 1989, 0 233 98434 8
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From Vienna to Managua: Journey of a Psychoanalyst 
by Marie Langer, translated by Margaret Hooks.
Free Association, 261 pp., £27.50, July 1989, 1 85343 057 9
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... passage of the book he concludes that Freud, the son of a merchant from Moravia who went on to read medicine, and his followers, ‘could hardly help being Jewish, for their career plan in the Viennese context was a Jewish one’. The statistics, then, answer one question: how Jewish was the Viennese middle class? They do not, of course, answer the more ...

I hear, I see, I learn

Nicholas Spice, 4 November 1993

The Green Knight 
by Iris Murdoch.
Chatto, 472 pp., £15.99, September 1993, 0 7011 6030 6
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... of six the children enjoy Beowulf and Greek myths. At eight they devour Dickens. By 12 they have read most of Shakespeare. Television is anathema to them; audio, video and disco just Latin verbs. ‘I hear, I see, I learn.’ It would make the ideal motto for the Anderson family. Painted by Moy (in Latin, of course) on a colourful escutcheon depicting three ...

Tolkien’s Spell

Peter Godman, 21 July 1983

The Monsters and the Critics, and Other Essays 
by J.R.R. Tolkien, editor Christopher Tolkien .
Allen and Unwin, 240 pp., £9.95, March 1983, 0 04 809019 0
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The Road to Middle-Earth 
by T.A. Shippey.
Allen and Unwin, 252 pp., £9.95, September 1982, 0 04 809018 2
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Finn and Hengest: The Fragment and the Episode 
 by J.R.R. Tolkien, editor Alan Bliss.
Allen and Unwin, 180 pp., £9.95, January 1983, 0 04 829003 3
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... why one might take up his scholarship or his fiction are not the same as those that make us read Mimesis or The Greeks and the Irrational – books that transformed, and continue to influence, our understanding of significant problems in European intellectual and cultural development. The worlds to which Tolkien’s writings take us are the old ...

Honey and Water

Michael Irwin, 7 August 1980

The Beekeepers 
by Peter Redgrove.
Routledge, 156 pp., £5.50, July 1980, 0 7100 0473 7
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F for Ferg 
by Ian Cochrane.
Gollancz, 117 pp., £5.95, July 1980, 0 575 02862 9
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Events Beyond the Heartlands 
by Robert Watson.
Heinemann, 241 pp., £6.50, July 1980, 0 434 84200 1
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... In the first chapter of Peter Redgrove’s novel we are introduced to a poet named Guy, who is about to read aloud some poems he has written about bees. He breaks off a meandering introduction to tell his audience: I can see you saying, ‘Why doesn’t he keep to the point?’ But not keeping to it, is the point ...

The Loneliness Thing

Peter Campbell, 5 February 1981

Nature and Culture 
by Barbara Novak.
Thames and Hudson, 323 pp., £16, August 1980, 0 500 01245 8
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Edward Hopper: The Complete Prints 
by Gail Levin.
Norton, 128 pp., £9.95, April 1980, 0 393 01275 1
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Edward Hopper as illustrator 
by Gail Levin.
Norton, 288 pp., £15.95, April 1980, 0 393 01243 3
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... which he handled the medium – it seems to give a rather soft subject bite. It is interesting to read, though, in Lloyd Goodrich’s book on Hopper, that when they were first shown the general reaction from critics and public was that they were satire. ‘We were not,’ he writes, ‘used to seeing such commonplace, and to some of us ugly, material used in ...

At the Royal Academy

Peter Campbell: Edvard Munch’s troubles, 20 October 2005

... might share more than the accident of the way flesh hangs on bone is the fact that Dylan, too, read Rimbaud and Baudelaire and that Munch’s images, particularly his early ones, were contributions to the general end-of-the-century Symbolist inflorescence – in 1896 he even worked on illustrations for Les Fleurs du mal. In some of the pictures on show at ...

At the National Gallery

Peter Campbell: Vermeer and de Hooch, 5 July 2001

... to have made possible, almost accidentally, an art of pure painting. While Vermeer may have been read by his contemporaries as a moralist (what we think of as a sleeping woman was seen as a warning against drunkenness, while the woman with the scales may have been thought of as an admonition to live a balanced life), we turn to them – rightly or wrongly ...

In Venice

Peter Campbell: Tourist Trouble, 6 June 2002

... the desire to restore it seems both heroic and quixotic: an act justified only by perfect faith.I read Richard Goy’s Venetian Vernacular Architecture – mainly about traditional housing in the lagoon but a wonderful introduction to Venetian building in general – and lying in my hotel room, looking up at the high ceiling, I knew that the ...

At the British Museum

Peter Campbell: Living, Dying and Enlightenment, 22 January 2004

... the lower and upper shelves of dimly lit cases like the dusty bottles and books no one is going to read which clutter high places in theme pubs. The perfunctoriness of some of the labels here (where and when was the bird collected? What does the inscription say?) indicates that the history of the objects themselves is not quite the point.The character of the ...

At the Royal Academy

Peter Campbell: Philip Guston fouls the nest, 5 February 2004

... Times notice was headed ‘A Mandarin Pretending to be a Stumblebum’, and if the painters had read Guston’s 1970 notebook the betrayal would have seemed complete. In an entry made at the time of the exhibition he wrote: ‘American abstract art is a lie, a sham, a cover-up for a poverty of spirit. A mask to mask the fear of revealing oneself. A lie to ...

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