At the Whitechapel
Peter Campbell: ‘Faces in the Crowd: Picturing Modern Life from Manet to Today’, 6 January 2005
“... link the artworks, and because the art comes from so many hands in so many styles, they tend to read as examples and illustrations even though many of them are very fine in themselves. The show is visually disjunctive but intellectually suggestive.For example, both Walker Evans’s 1938-41 photographs of subway riders and Käthe Kollwitz’s Prisoners, an ... ”