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“... family could be seen in characters such as the Dodson sisters in The Mill on the Floss, or Dinah Morris in Adam Bede, did not bring the longed for reconciliation any closer. She seems sometimes to have been surprised and disconcerted by the pain dial she could inflict. John Gwyther, the curate Eliot had known in nearby ...”

“... The now semi-legendary Thompson announced in 1955 that Carpenter (unlike, of course, William Morris) represented the cosy intellectualism of those ‘whose aspirations are satisfied today by comfortably converted old cottages on the rural fringes of great towns, a goat in the paddock, and an occasional bout of classless bonhomie and darts in the village ...”

“... Alphonse Kauders’, an absurdist recitation pitched somewhere between Roberto Bolaño and Chris Morris, was dreamed up for radio in 1988) but later addressing his displaced existence. The Question of Bruno (2000) and Nowhere Man (2002) made him something more than a name to watch, and since then he’s had his share of American goodies – big-name ...”

“... success’ Arizona was acting as a ‘model for the nation’. TV commercials directed by Errol Morris introduced the company to Arizonans: cheap, fast, no surprise bills. And, of course, no big needles: ‘Breakthrough advancements have made it possible to quickly process the full range of laboratory tests from a few drops of blood.’ Forty Theranos ...”

“... may occur more frequently than elsewhere.”’ Robin Hood Gardens​ coincided with what John Boughton describes as a ‘golden age of council house building’, but in Municipal Dreams he doesn’t include it in his ‘pantheon’, ‘despite the affection in which it is held by the architectural great and good’. Richard Rogers compared Robin Hood ...”

“... He was right – but only partly right, there are no absolutes here. What he and William Morris, George Gissing, Ebenezer Howard and a sprawl of anti-urbanists didn’t foresee was a time when that choice would, inconceivably, be in favour of the centripetal. Of course, in a faute de mieux-ish way, the city was always an unwanted lure, a resented ...”

“... classicus in the study of computing, robotics and futurism, and is discussed at length in both John Kelly and Steve Hamm’s Smart Machines and Tyler Cowen’s Average Is Over.2 Watson won, easily. Its performance wasn’t perfect: it thought Toronto was in the US, and when asked about a word with the double meaning ‘stylish elegance, or students who all ...”

“... its nature always mutable. There was no crisis from which it did not emerge invigorated. John Nash designed Piccadilly Circus as a rond-point for his great picturesque town plan leading up Regent Street to the Regent’s Park. The view south was to culminate in the Prince Regent’s Palace at Carlton House. Long before the work was ...”

“... Peter and I began to meet at Bertorelli’s for wine, talk, food and more wine. At my suggestion, John Tagg the critic and historian of photography joined our meetings. The three of us agreed – a pretty cynical move – to ask Cork, the new editor of Studio International whom Peter knew as a Cambridge connection, to make up this Gang of Four. The idea was ...”

“... for Israel, reputedly ‘good’ with black people, he is moreover young and once shook hands with John F. Kennedy. At the bar of the Sheraton Wayfarer in Manchester, the HQ of the travelling press corps, most correspondents report that their editors only want good news about the new consensus candidate. And, generally, that’s what they have been getting and ...”

“... meanwhile has had to come to terms with its historical shame, even though the Prime Minister, John Howard, derides this as ‘black armband’ history and wishes it away. How racism reproduces itself in contemporary Australia is the subject of Race Matters. The contributors give sardonic accounts of such topics as the attempt to re-assign Aboriginal names ...”

“... periodicals like the Yellow Book, the Chameleon and the Savoy took inspiration from William Morris, Charles Ricketts and other luminaries of the Arts and Crafts movement, favouring medieval typefaces, elaborate woodcut illustrations, uncut pages and plenty of white space. An equivalent international vogue for ‘ephemeral bibelots’ was inspired by the ...”

“... shadowed by Charlie Chaplin, who seems to have been on everyone’s guest list. Lawrence knew John and Susan Buchan, country-house owners of the new weekending sort, and spent his time with them talking about ‘the Arabs … his muddled masochism and his … disillusion’; Baldwin appears at Warwick Castle and at Madresfield, which was in part the model ...”

“... the museum after its redesign by the Japanese architect Yoshio Taniguchi. In the New Yorker John Updike likened its presence to ‘an invisible cathedral’, but it is closer to an abstract palace. The main access is now nearer Sixth than Fifth Avenue, and you enter from either 53rd or 54th Street into a lobby, paced with white columns, that cuts all ...”

“... to work in his Jag as Robyn Penrose tootles to college in her Renault 5, or Philip Swallow and Morris Zapp of Changing Places crossing somewhere above the North Pole as their planes take them in opposite directions for the start of their academic job-swap. Two ideas setting off for each other’s point of origin: Paradise News lacks this beautifully simple ...”