Search Results

“... immediately there was only one way to make it work – by getting the people who knew him talking. Andrew O’Hagan Michael Wood (film critic): Those working-class lads seemed to be everywhere in British films of the 1960s, grunting and sweating their way through the class system, using sex as a narrow and repressed form of guerrilla warfare. We are often ...”

“... About a third of the way through his first book, The Missing, Andrew O’Hagan pauses over a perception he thinks his readers may find ‘a bit surprising’. It’s an intricate moment, since he thinks we are going to be surprised at the surprise he is describing. He is telling us that people who moved from Glasgow to the Scottish New Towns springing up in the 1960s hadn’t expected to take so much of the old city with them: ‘the older habits, the darker tints ...”

“... a limited work, cartoonish, narrow, raucous, too often mistaking noise for vividness. On the back, Andrew O’Hagan rightly characterises its effect as ‘like the Osbournes invited the Simpsons round for a root beer, and Don DeLillo dropped by to help them write a new song for Eminem,’ without telling us why that particular party would be enjoyable or ...”

“... the perennial murmur swelling to a growl – is currently in crisis (again). Earlier this year, Andrew Marr certified it dead. (He was announcing the shortlist for the Samuel Johnson Prize for Non-Fiction at the time. His verdict may prove to be no less premature than Johnson’s pronouncement on Sterne: ‘Nothing odd will do long. Tristram Shandy did not ...”

“... anthology of LRB pieces, for which Frank wrote a short introduction. In the course of it he said: Andrew O’Hagan, an echt LRB writer, displays all the best qualities of this kind of journalism: while writing about Scottish nationalism he has a go at a senior contributor, Neal Ascherson, along the way. In the same spirit Stefan Collini takes a ...”