In their eighth episode of Among the Ancients, Emily and Tom look at a contemporary of Catullus, Lucretius, and the only poem we have from him, De rerum natura (The Nature of Things), which sets out ideas about how to live one’s life based on the Epicurean philosophical tradition, embracing friends, gardens, materialism and moderation.
Irina and Mary jump to the 14th century for an introspective Arthurian romance about a knight trying to live up to his perfect reputation. The mysterious and intricate Sir Gawain and the Green Knight is perhaps best understood as a series of games within games, in which our hero, a recurring character throughout medieval literature, is never sure what adventure he’s playing.
Seamus and Mark step into the counterculture with two long poems, ‘Howl’ and ‘Kaddish’, by Allen Ginsberg, a Beat poet-celebrity with a utopian vision for an America rescued from its corrupted institutions and vested interests.
Emily and Tom move to Ancient Rome for the second half of their series, starting with the late Republican poet Catullus.
Irina and Mary continue their run of Romances with the Middle English Havelok the Dane, a double Cinderella story of sex, fishing and surprisingly graphic violence, written at the end of the 13th century and set in a pre-Conquest, legendary English past.
Focusing on five stories that span Lawrence’s career, Mark and Seamus discuss the strange mix of uninhibitedness and meticulous detail that make Lawrence’s work essential reading.
In their sixth episode of Among the Ancients, Emily and Tom discuss the comedies of Aristophanes, in particular Clouds and Lysistrata. How did an Aristophanes comedy differ from a satyr play? Was he a conservative or a radical? And what happened to comedy after Aristophanes?
For the sixth episode in their Medieval Beginnings series, Mary and Irina go full Romance with one of the most elaborate and surprising narrative poems in medieval literature, Le Roman de Silence, a complex, 13th-century Old French tale about gender, power and transformation.
In their fifth episode, Mark and Seamus reach their first 20th century poet of the series, the Ohio-born, New York-loving ad man Hart Crane, and his epic 1930 work The Bridge.
Euripides was the youngest of the fifth-century Athenian tragedians, and is often described as the most radical. But how daring was he?
If a Middle Ages full of castles, jousts, hawking, illicit love affairs and playful singing in the meadows is what you’re looking for, then look no further than the Lais of Marie de France.
In episode four of The Long and Short, we turn to the squarely modernist Katherine Mansfield, whose writing famously attracted the envy of Virginia Woolf. At turns lyrical, ruthless, moving and darkly comic, these stories demonstrate her knack for close observation and mimicry – no wonder one of them is Mark’s ‘desert island’ story.
In the fourth episode of Among the Ancients, Emily and Tom ask: what was it like to go to the theatre in Athens in 468 BC? And how far do modern ideas about tragedy, derived from Aristotle, apply to Sophocles’ plays?
In their fourth episode, Mary and Irina climb inside a tiny cell to explore the Ancrene Wisse, a guidebook written in the early 13th century. Originally intended for three anchoresses, it would eventually find a much wider audience (there was even a copy in Henry VIII’s library).
The third episode of The Long and Short turns to the short stories of Henry James, with a particular look at ‘The Aspern Papers’, a story which, like Tennyson’s ‘Maud’, offers a diagnosis of obsession, in this case through a sensuous, excruciating and often comedic Venetian psychodrama.