Walter Nash

Walter Nash a senior lecturer in English at the University of Nottingham, is the author of English Usage: A Guide to First Principles and of The Language of Humour.

Monsieur Mangetout

Walter Nash, 7 December 1989

The other Sunday, as I was taking my weekly televisual fix of gridiron football – not so much an athletic spectacle as an entrancing reconstruction of the wars of Pompey the Great – I learned that one of the luminaries of the sport (the particular name escapes me) had been accorded the title of the winningest coach of some recent season (the exact year eludes me). I thought of this remote and superlative man when I turned to consider the latest edition of The Guinness Book of Records, a compilation apparently based on the philosophy that winning is not everything, as long as there are some who are even winninger and a choice few who aspire to being the mostest, the bestest, the completest, the strivingest, in short – at least for the time being – the absolute winningest. Here they all are for another record year, contenders in pursuits familiar and bizarre: high jumpers, cliff divers, roller-skaters, the grower of the largest swede, the carrier of the heaviest hod, the baker of the deepest apple pie, the confectioner of the widest ice-cream sundae, bottomless eaters, legless drinkers, throwers of the farthest ball, peelers of most potent onions, Uncle Tom Cobbleighest winners as far as the eye can see. It ought to be said in fairness that the book is not wholly devoted to the documentation of humanity’s urge to compete in irrational undertakings. Much of it consists of presumably useful information on the wonders of nature and the fabrications of the engineer; if you want facts and figures about the world’s oldest plant, bulkiest reptile, or longest hydro-electric irrigation and sewerage tunnel, this is undoubtedly your source. Nevertheless, it is eccentric fantasy that catches the eye, and some of the ‘records’ here displayed will probably suggest to Martian observers that our planet is populated by stubborn eccentrics and deeply dedicated fantasists, or, as their lexicographers might say, fruit-cakes.’

Turbulence

Walter Nash, 9 November 1989

Nicholson Baker’s The Mezzanine is a book about the mind electrically at odds with vacancy and repose; about the astonishing turbulence in the little grey cells of little grey people like you, and me, and Howie, who at lunchtime quits his office on the mezzanine floor and goes down the escalator to the street, to buy milk and cookies and a new pair of shoelaces. On the way we follow the movement of his mind through a conveyor-belt meditation, rigorous as a Zen discipline, zany as a Disneyland dance, on the everyday mechanics of things contemplated most minutely in particular. What things? Oh, just ordinary things, you know, things counter, original, spare, strange, spring-loaded, gear-driven, fully automated and packaged for your all-American convenience, that sort of thing. Howie’s central preoccupation is with the working life of shoelaces and the rival hypotheses (there are two contenders) which may be adduced to explain not only how they come to break but also how one shoelace will snap within days of the other.

Interesting Fellows

Walter Nash, 4 May 1989

Take one housemaid, who interrupts you while you are making a ludicrously maladroit attempt to swaddle a stolen painting in brown paper. Fly into a sulk. Bundle the poor girl into your car, and when she protests, silence her with a hammer, noting, as you do so, that its impact on her skull is like hitting clay or hard putty. (You are brilliantly obsessed by details.) Drive thirty miles – recording, wide-eyed, the comic contingencies of a world as yet ignorant of your deed – to a patch of waste ground, where you leave the car, and the corpse, and the painting you set out to steal in the first place. Walk away, into the curious conviction that by this enormity you have liberated yourself from the burden of having to pretend to be what you are not.

Letter

Language Fears

19 January 1989

Walter Nash writes: Ey oop, m’duck, as D.H. Lawrence used to say, innit gerrin’a bit black ower Bill’s mam’s?: which means – put into pallid Standard – My goodness, wasn’t that thunder I heard just now? It’s odd how these controversial clouds roll up whenever the talk is of grammer and usage, but it may clear the sky just a little if I assure Mr Fairman that I am generally on his side,...

Language Fears

Walter Nash, 19 January 1989

It is widely feared that our English language is deteriorating, or as the Americans robustly say, going to Hell in a hand basket. I can well understand how people believe this: if our grocers can write of Grape’s and Banana’s, and our journalists believe that a cohort is some manner of minion, henchman, buddy or sidekick, then we are all aboard the wickerwork diligence, never a doubt of it. But that, you will tell me, is not quite what you mean. What you really fear, it seems, is the demise of grammar. Your children are not taught grammar in schools. They may be taught to express themselves, but they are not taught to express themselves properly – that is, grammatically.’

Shop Talk

John Lennard, 27 January 1994

The reviewers’ quotes which, fifteen years I ago, Macmillan chose for the reprint of Kenneth Hudson’s The Jargon of the Professions were a moral lot. Auberon Waugh, writing for what...

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Good enough for Jesus

Charlotte Brewer, 25 January 1990

The second edition of The State of the Language, published ten years on from the first, contains 53 essays and nine poems, each by a different author. The dust-jackets of both editions are almost...

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Composition

Barbara Strang, 4 June 1981

The vogue for publishing series is baffling, since the ability to sustain quality, and interest for a given readership, is rare. Both, fortunately, are to be found in the Longman English Language...

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