Richard Wollheim

Richard Wollheim, who died in 2003, was Grote Professor in the University of London, before moving to the States, where he taught at Columbia and at Berkeley. His last book was On the Emotions (1999).

Diary: In South Africa

Richard Wollheim, 3 July 1986

Every morning as I woke up I reached for my radio. A cheerful Home Counties voice announced: ‘Sunny skies in Buenos Aires, Toronto, Calgary and Tokyo: overcast in Dublin, Rome and Ankara: rain in London, Athens, Nairobi and Frankfurt.’ As South Africa gets the weather, so it gets its news: in gobbets of fact, fragmented beyond all hope of comprehension.

Letter

Jesus Christie

3 October 1985

SIR: The letter from Katherine Duncan-Jones and A.N. Wilson (Letters, 17 October) is a reminder that mine is not the only conceivable view to hold of J.T. Christie. I was aware of this fact, and it was so as to make this point – and others – that I was at pains to present my view autobiographically. That I did so seems to have displeased your correspondents. In three small matters their letter...

Jesus Christie

Richard Wollheim, 3 October 1985

There are, I am sure, in the lives of all of us except perhaps the most low-spirited, some four or five people whom we cannot forgive. By this I do not mean anything necessarily moral. We don’t have to think that what they did was wrong, or even that they could have stopped themselves doing it. It is enough that they stick in the gullet. J.T. Christie: A Great Teacher is modelled on those Late Victorian or Edwardian volumes, bound in dark olive or chocolate board, hagiographical in tone, which, while bringing together the scattered papers of some resolutely private figure, admit that his real distinction of mind and character has eluded them, and its subject is one of the four or five people who stick in my gullet.

A Charismatic View of Pornography

Richard Wollheim, 7 February 1980

It might be supposed that in a liberal society, such as ours professes to be, the attitude of the state towards obscenity, or the function of the public censor, should not give rise to problems of any great difficulty – details apart – and that there is a widely accepted model to which thinking on these issues would try to conform. The model is that provided by John Stuart Mill’s essay On Liberty, and the doctrine that it endorses runs something like this. Some people like obscenity, and some don’t, and those who don’t tend to find it filthy, horrible, revolting, and, probably, immoral. But even if obscenity is filthy, horrible, revolting, even immoral, those who want it should be allowed to have it unless their doing so causes harm and this harm outweighs any good that it might also cause. That something is immoral does not, as such, justify intervention at law: what is additionally required is that it should on balance bring about harm, and, if it does, this suffices for legal intervention whether or not there is immorality. The Williams Commission accepts what it calls ‘the harm condition’, and goes on to ask what kinds of harm there are, which of those is likely to attach to obscenity, and does any?

While Richard Wollheim doesn’t go so far as to suggest that the unexamined emotion is not worth feeling, he does proceed on the assumption that it is beneficial for philosophers and...

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Art’s Infancy

Arthur C. Danto, 22 April 1993

I have always thought of Richard Wollheim as embodying the values and interests of a particularly urbane kind of British intellectual, typified by and possibly originating with the members of the...

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Meltings

Nicholas Penny, 18 February 1988

In the Preface to his new book Richard Wollheim tells how he ‘evolved a way of looking at paintings which was massively time-consuming and deeply rewarding’. He looked at them for a...

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Second-Decimal Arguments

Jon Elster, 23 May 1985

Reading Richard Wollheim’s study of what it is to live the life of a person was a frustrating, painful experience. Perhaps it can best be summarised by saying that while the book goes to...

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Psychoapologetics

Frank Cioffi, 2 June 1983

Wittgenstein, whose conversations with Rush Rhees lead off these Philosophical Essays on Freud, once wrote to a friend: ‘I, too, was greatly impressed when I first read Freud. He’s...

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Works of Art

Peter Lamarque, 2 April 1981

Generalising across the arts is a tricky business. Can we really expect to find anything in common between, say, Ulysses, Der Rosenkavalier, the ‘Donna Velata’ and Donatello’s...

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