Penelope Fitzgerald

Penelope Fitzgerald was the author of nine novels, including Offshore, which won the Booker Prize in 1979, and The Blue Flower. She wrote nearly fifty pieces for the LRB before her death in 2000 on subjects including Stevie Smith, Radclyffe Hall, Charlotte Mew, Anne Enright and Edward White Benson. A collection of some of her essays for the paper is available from the LRB store. Jenny Turner wrote about the difficulties of her life and the method of her books, ‘building then shattering and compressing the piles of information’.

Obstacles

Penelope Fitzgerald, 4 July 1996

It would be quite possible to read about Edward Thomas and wonder how it was that so many people made such allowances for him. A man who had a house built for himself and then refused to live in it, he tormented his wife and children with his restlessness – he calculated he was never happy for more than a quarter of an hour in the day. Two women, his wife Helen and the good-hearted but overwhelming Eleanor Farjeon, spoiled him as much as they dared. He couldn’t get on with his son and was sometimes ruthless with his friends – ‘people soon bore him’ said Walter de la Mare sadly – although most of them were called on to help him in his struggle with depression. But Edward Thomas was, and is, greatly loved. His scholarly biographer, George Thomas, irritated as he is by what he calls the ‘dithering’ of Edward Thomas’s early life, treats him not only with respect but with love.’

Cold Smoke, Wet Rubble

Penelope Fitzgerald, 20 July 1995

This is Heinrich Böll’s apprentice novel, written between 1949 and 1951. Since Friedrich Middelhauve, who published his stories, was unwilling to bring out the novel, Böll put it by and with professional economy used passages from it in later books. For that reason it wasn’t published in his lifetime but has come out now, to mark what would have been his 75th birthday.

Chilly

Penelope Fitzgerald, 9 February 1995

At the age of 48, after thirty years of lecturing on German literature and writing radio plays, Gert Hofmann began to produce disconcerting novels. Michael Hofmann, his son, the poet, confronted him head-on in his collection, Acrimony, and in 1987 wrote in the LRB (25 June) about the second of the novels to be translated into English, Our Conquest. This covers the first two days of peace in a small town in Germany, and follows an ambiguous group of children, free at last to get out of the cellars and poke round the secrets of their own streets. ‘The point is not character revealing itself in action, it is not even … the abrupt revelation of one particular horror, it is the process – as elsewhere in my father’s work – of the curious, obsessive and mechanical mind digging round in a soft and disordered world.’ The Film Explainer, which takes place in the same hometown of Limbach, in Saxony, seems at first sight to be a more innocent and comic story and a gentler one, but after reading it you feel the same chill.’…

Hug me, kiss me

Penelope Fitzgerald, 6 October 1994

Shena Mackay’s outstanding anthology, Such Devoted Sisters, consists of 21 sisterly stories, all written by women, much more thoughtfully than the title suggests. Since this is a relationship which doesn’t change, the book isn’t chronologically arranged, and the earliest piece, Christina Rossetti’s ‘Goblin Market’, comes last of all. Placed there, it seems like a magical explanation of all that goes before.

Distant Sheep

Penelope Fitzgerald, 21 July 1994

John Bayley’s new novel is largely about those who are had on, or taken in, and this may well include his readers, who need to keep their wits about them. To begin with, he conjures up a couple of innocents. There was an innocent, too, as hero in his last novel, In Another Country, published in 1955. But Oliver, a young officer with the British army of occupation, was a worrier and a sensitive, risking trouble for the sake of his German girlfriend, and contrasted with his hideously successful rival. In Alice the two innocents are uncompromisingly green, in the sense that the Vicar of Wakefield, or Daisy Miller, or Crocodile Dundee, are green, their misfortunes illustrating the world’s vanities.

In 1997, three years before her death, Penelope Fitzgerald asked her American publisher, Chris Carduff, who had offered to send her any books she wanted, for a copy of Wild America by Roger Tory...

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Playing the Seraphine: Penelope Fitzgerald

Frank Kermode, 25 January 2001

This is a collection of eight stories, the oldest first published in 1975, the most recent in 1999; so they punctuate the entire, brief career of a writer who never yielded to the temptation to go on...

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Dark Fates

Frank Kermode, 5 October 1995

Penelope Fitzgerald’s The Blue Flower is a historical novel based on the life of the poet, aphorist, novelist, Friedrich von Hardenberg, a Saxon nobleman who wrote under the name of Novalis...

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Taken with Daisy

Peter Campbell, 13 September 1990

Penelope Fitzgerald’s new novel, like her last one, The Beginning of Spring, is set just before the First World War. Its locale, 1912 Cambridge, is not much less exotic than its...

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Women’s Fiction

Margaret Walters, 13 October 1988

Penelope Fitzgerald has always seemed a quintessentially English novelist, low-key, exquisitely perceptive, and with a notable feeling for place – the seedy houseboats on the Thames in

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Chiara Ridolfi

C.K. Stead, 9 October 1986

Penelope Fitzgerald’s Innocence is set in Florence, the principal characters are Italian, and I kept asking myself: how is it done? She knows quite a lot about Italian society: but more...

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Finishing Touches

Susannah Clapp, 20 December 1984

On 24 March 1928 Charlotte Mew killed herself by drinking a bottle of disinfectant in a nursing-home near Baker Street. She left behind her a volume of poems, a number of uncollected essays and...

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Nationalities

John Sutherland, 6 May 1982

A new novel by Günter Grass invites comparisons of a national kind. If a British writer of fiction wished to engage with the big stories of the day – the kind of thing Brian Walden...

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The Duckworth School of Writers

Frank Kermode, 20 November 1980

The potter William de Morgan, finding himself at the age of 65 without a studio, decided not to look for another but instead to change his trade and become a novelist. Not so long ago the lucky...

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