Patricia Lockwood

Patricia Lockwood is a contributing editor at the LRB. Her books include two poetry collections, Balloon Pop Outlaw Black and Motherland Fatherland Homelandsexuals; a memoir, Priestdaddy; and a novel, No One Is Talking about This, which was shortlisted for the Booker Prize and won the Dylan Thomas Prize. She has written for the LRB on subjects including David Foster Wallace, John Updike, the internet, in a piece originally delivered as an LRB Winter Lecture, and meeting the pope. She lives in Savannah, Georgia.

Diary: Saving a Life

Patricia Lockwood, 16 February 2023

Itwas a perfect day, and we paid for it. Out the ass, I wrote on hotel stationery later, before deciding to reject the easy joke; I was a tasteful person now, having passed through the refiner’s fire.

8 May. We had flown into LA from Savannah the night before; the city, from our hotel room, looked like a heat map of itself. The jacarandas were blooming. Everyone describes the...

Worm Interlude: What is a guy for?

Patricia Lockwood, 17 November 2022

Halfway​ through my first reading of ‘Liberation Day’, the 63-page title novella of George Saunders’s new collection, a man appears to me. He is not George Saunders exactly – an old version maybe, or a could-have-been. He is speaking the story, or writing it, or daydreaming it at a desk in an empty classroom. He is figuring it out, living in the excitement of it,...

Diary: Putting on Kafka’s Tux

Patricia Lockwood, 24 March 2022

Kafka​ had consumption, which everyone else also had at that time: look at them up on the tops of mountains, men coughing spots in love with women coughing spots, so that you could draw lines between them until the whole world was filled in. It was a comfort to read him in a year when everyone again had the same disease. More specifically her, for in that moment she was everyone. She...

Strap on an ox-head: Christ comes to Stockholm

Patricia Lockwood, 6 January 2022

Imight have​ met him once. In September 2015 I flew to Norway for a literary festival. Knausgaard was the headliner, but he cancelled at the last minute and was replaced by an Elvis impersonator. Instead of pictures of Karl Ove smoking the cigarette of the camera down to its smouldering butt-end, the newspaper coverage of the event included photographs of a pastorally beefy Elvis in a white...

Pull off my head: What a Bear Wants

Patricia Lockwood, 12 August 2021

Here is what it is: no force on earth will keep a writer’s preoccupations out of their fiction. You are not necessarily looking for them, but you find them every time. There you are in your octagon, holding a glass of whisky in one hand and working one foot into the fur of a bear, when the fire lights up the primal line. That is what I am waiting for, I am waiting to see scarves on page ten of one book and page 56 of another and then one line in the letters and then there is Marian Engel, the person, not an apparition but a body of desire, playing dressing-up in front of the old pier glass mirror. Continuing to want what she always wanted: for life to make art. ‘A world. I wanted a world; yes, that was it, and I wanted a world I could legislate, make my own; not own, not totally control, no, not that: ah, but that was it: have an importance in.’ She stands in the mirror and turns; someone is watching over her shoulder.

Eels on Cocaine

Emily Witt, 22 April 2021

Patricia Lockwood is a generous writer. She seems incapable of resentment and has a Rabelaisian appreciation for the bawdy. She can describe America’s corporate restaurant chains and their blooming onions...

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For all its dirty jokes and baby talk, Priestdaddy is an angry book, and Patricia Lockwood’s use of childhood idiom is a way of exposing the irrationality of institutional authority.

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