Jason Harding is the author of The Criterion: Cultural Politics and Periodical Networks in Inter-War Britain.
In February 1932, on the occasion of George Moore’s 80th birthday, a group of distinguished London literati published an encomium in the Times paying homage to ‘a master of English letters’. Today there are few critics who would find a place for him in a pantheon of English novelists – of his 16 novels and numerous short stories, only Esther Waters counts as a ‘Penguin Classic’. That said, Moore’s social life and literary career continue to provide a fertile ground for enthusiasts; more often than not as source material for whimsical and mildly defamatory character sketches. Adrian Frazier’s painstakingly researched new biography of Moore marks a considerable advance on Joseph Hone’s respectful but pedestrian 1936 standard biography and Tony Gray’s lively but unscholarly 1996 Life.’‘
The Criterion, T.S. Eliot’s periodical, ran from shortly after the First World War to the very eve of World War Two. Or, if one prefers, from one of Eliot’s major bouts of depression...
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