Very like St Paul: Johnny Cash
Ian Sansom, 9 March 2006
The pleasures of piety are infinite and exquisite and probably nowhere more easily had these days than in the rock ’n’ roll business, or in Hollywood. On record, and on stage, and up there on the big screen, people are not only encouraged but also handsomely rewarded for being morbidly fascinated with themselves, with their every movement, their every utterance, with the tiniest flicker of an eyelid or the slightest suggestion of a thought – a self-regard and obsession with the self usually only available to religious novitiates, madmen or very young children. Fame, with all of its fleshly temptations and attendant despairs, is an obvious incitement to grace; thus, George Harrison’s Concert for Bangladesh, and Rock Against Racism, and Live Aid, and Farm Aid, and Red Wedge, and Rock the Vote, and Live 8, Coldplay, U2, the late and the later John Lennon, and perhaps almost as many good causes as there are actors.