Ian Hamilton

Ian Hamilton contributed many exact, funny and unsparing pieces on poetry, on novels – and on football – to the LRB. He died in 2001.

For quite a few of us, I’d guess, the name Ku Klux Klan suggests a rather creepy style of nightwear. When, as a boy, I first saw pictures of those Deep South nocturnalists in their crazy all-white strip, I had the notion that they had just sprung from their Alabaman slumbers, roused maybe by a sudden seizure of race-hatred, and had simply grabbed the nearest uniform that came to hand. A couple of peep-holes in the pillowcase and off we go a-lynching, so to speak. For a Northern English kid whose Beano routinely dressed its ghosts in bedsheets, these gangs of white-garbed spooks on horseback fitted easily into one’s line-up of night terrors. At the same time, though, they were nothing like as spooky as my Beano visitants. After all, I wasn’t black. Well, not black-skinned.

Diary: Whoop, whoop, terrain

Ian Hamilton, 29 April 1999

‘Fucking shit! It’s fictitious. Everything is fictitious!’ So said the pilot in charge of AeroPeru Flight 603 from Lima to Santiago. The date was 2 October 1996 and within a few moments Flight 603 would crash into the sea. When he spoke the pilot had just realised that he might shortly die. It had suddenly become clear to him that none of his cockpit instruments was working properly. The ‘air data’ he was getting from his dashboard panel were inaccurate, all wrong – ‘fictitious’. When he tried to slow down, his speedometer said that he was accelerating. When he tried to lose height, his altimeter insisted he was soaring. ‘Everything has gone!’ he yelled to the control tower at Lima airport. But the control tower could not help. The plane was ‘flying blind’. It didn’t know where it was or what it should be doing. The flight’s final seconds were recorded thus:

A to Z: Schmidt’s List

Ian Hamilton, 4 March 1999

Yalden, Hammond, Stepney, Fenton (Elijah) and Hughes (John): where are you now? Ten of the 52 poets represented in Samuel Johnson’s Lives of the Poets fail to make an appearance in the Oxford Companion to English Literature. On its own, of course, this doesn’t prove a thing. At the same time I would guess that these poets are known about today – if they are known about today – simply because they were once biographised by Dr Johnson. Thanks to Johnson, and thanks also to the Dunciad, it has not been easy for minor figures of the 18th century to achieve absolute literary-historical oblivion. Fenton, Hughes et al do seem to have got closer to the final darkness than most other dunces of their day. Let us remember them for that.’

Diary: Poets Laureate

Ian Hamilton, 7 January 1999

When Cecil Day Lewis was appointed Poet Laureate in 1968, he got – within days of the good news – a letter from his bank manager. ‘The whole Midland,’ it said, ‘rejoices with you.’ And this, it might be felt, comes close to summing up what’s wrong with being Poet Laureate. Since banks began, poets have received many letters from bank managers but few have been at all like Cecil’s. To send the Midland into raptures of this kind, a fellow would surely need to have done something rather seriously unpoetic.’‘

In a cold but stuffy bed-sitting room littered with cigarette ends and half-empty cups of tea, a man in a moth-eaten dressing-gown sits at a rickety table, trying to find room for his typewriter among the piles of dusty papers that surround it. He cannot throw the papers away because the wastepaper basket is already overflowing, and besides, somewhere among the unanswered letters and unpaid bills it is possible that there is a cheque for two guineas which he is nearly certain he forgot to pay into the bank. There are also letters with addresses which ought to be entered in his address book. He has lost his address book, and the thought of looking for it, or indeed of looking for anything, afflicts him with acute suicidal impulses.

Enisled: Matthew Arnold

John Sutherland, 19 March 1998

The last few decades have been good for Matthew Arnold. In 1977, R.H. Super completed the 11-volume Complete Prose Works, a venture that seemed quixotic (‘all those school reports!’)...

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Main Man

Michael Hofmann, 7 July 1994

When you get onto the big wheel of writing (or the little wheels within wheels of poetry), it seems clear to me that the people you look to and feel an affinity for are not – to begin with,...

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The Three Acts of Criticism

Helen Vendler, 26 May 1994

This handy compilation (to which I myself contributed a couple of notices) covers, according to the jacket copy, ‘some 1500’ poets and ‘charts the shift from...

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After-Lives

John Sutherland, 5 November 1992

A man of many literary parts, Ian Hamilton came to biography late and triumphantly with his life of the dead but still warm Robert Lowell. Riding high, he went on to attempt an unauthorised life...

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Bonded by the bottle

Michael Wood, 14 June 1990

The writer, grizzled, sun-tanned, wearing only desert boots, shorts and sunglasses, sits outdoors in a wicker chair, checking a page in his typewriter. The picture appears on the covers both of...

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My Wife

Jonathan Coe, 21 December 1989

Bloomsbury have again brought out their hefty collection of contemporary writing just in time for Christmas, and indeed the enterprise is suffused with a sort of Christmas spirit. This...

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The Salinger Affair

Julian Barnes, 27 October 1988

Listen to Jeffrey Robinson, American biographer of figures such as Sheikh Yamani, describing how he goes to work: What I usually do is get two or three months’ research under my belt...

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Every three years

Blake Morrison, 3 March 1988

Now that poetry has been brought into the marketplace, and publishers have discovered how to make a modest profit from it, and now that publication outlets can be found in any good-sized store,...

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With more than eight hundred high-grade items to choose from, London Reviews gets the number down to just 28. But already it is the third such selection from the London Review of Books. Is three...

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Some Names for Robert Lowell

Karl Miller, 19 May 1983

Robert Lowell is not difficult to represent as the mad poet and justified sinner of the Romantic heritage. He is the dual personality who breaks the rules, kicks over the traces: he did this in...

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