Freya Johnston

The main business​ of almost all Jane Austen’s fiction is to portray that brief period in a young woman’s life when she is at the height of her charms and about to surrender them for ever to a more or less deserving suitor. During this period, she will encounter many examples of successful and unsuccessful marriage, but these are necessarily incidental to her concerns. Once the...

Criticism,​ for Samuel Johnson, was female, her votaries for the most part malicious, ineffectual men. In an early issue of the Rambler from 1750, Criticism is presented as ‘the eldest daughter of Labour and of Truth’, charged by the Muses with distinguishing good from bad writing and duty-bound to confer immortality or oblivion. Eventually, worn out, she gives up trying to judge...

The​ first issue of the British periodical the Yellow Book appeared in April 1894, and began by announcing the death of the author. Its lead item was a short story by Henry James in which a celebrated writer, Neil Paraday, is pursued by a crew of souvenir hunters and salon-frequenting harpies. ‘The Death of the Lion’ is narrated in the first person by Paraday’s nameless,...

There​ is no entry for Michael Field in the Oxford Dictionary of National Biography. The search function directs you first to ‘Bradley, Katharine Harris’ and then to ‘Cooper, Edith Emma’. Click on the second name, however, and you aren’t taken to a biography of Cooper but back to her aunt, Bradley. These convoluted preliminaries seem appropriate for two women...

Dorothy​ is a badly paid, unenthusiastic adjunct professor of English at an unnamed New York City university. Trained to criticise and evaluate, she pays meticulous attention to herself and her surroundings – to no particular end. The Life of the Mind, Christine Smallwood’s first novel, begins with Dorothy having a miscarriage, and charts her mental and physical state over the...