Freya Johnston

‘How much are the Poor to be pitied, & the Rich to be blamed!’ the young Jane Austen exclaimed in a marginal note to Oliver Goldsmith’s History of England. Mary Toft, the notorious 18th-century ‘rabbit breeder’, was undoubtedly very poor. But was she to be pitied? Contemporary accounts of her hoax identified her as ‘poor’ in ways that combined...

Like the novel​, with whose origins it is contemporary, the pocket is a repository that promises to contain and disburse secrets. Pockets, like novels, can enclose a story about the lost and found. Just as characters in 18th-century fiction are often begged to provide the histories of their lives and adventures, so too they may be talked out of their possessions. ‘You do wisely...

To read his life in his work – to see that work as bearing the imprint of an existence that was, in Johnson’s words, ‘radically wretched’ as well as triumphant – is to attempt the kind of biographical criticism at which Johnson himself excelled, which he might indeed be said to have invented in the Lives of the Poets. He might also be said, posthumously, to have suffered from it, since the grip of Boswell’s vivid and brilliantly idiosyncratic account of his friend on readers’ imaginations was so immediate and so tenacious.

She​ started off with A and ended up at B: born in 1743 as Miss Aikin, Anna Letitia died in 1825 as Mrs Barbauld. Poet, editor, biographer, essayist, pamphleteer and children’s writer, she was once known only for finding ‘The Rime of the Ancient Mariner’ improbable. Many of her poems were lost: one survives only in the form of its title, but even that scrap –...