Eliot Weinberger

Eliot Weinberger’s first book of essays, Works on Paper, was published in 1986. Nineteen Ways of Looking at Wang Wei: How a Chinese Poem Is Translated came out the following year. He has translated the work of Octavio Paz, Jorge Luis Borges and others from Spanish. ‘What I Heard about Iraq’ was published in the LRB of 3 February 2005 and soon afterwards as a short book by Verso. Angels and Saints came out in 2020. His most recent book is The Life of Tu Fu, a fictional autobiography of the Tang Dynasty poet.

What I heard about Iraq in 2005: Iraq

Eliot Weinberger, 5 January 2006

In 2005 I heard that Coalition forces were camped in the ruins of Babylon. I heard that bulldozers had dug trenches through the site and cleared areas for helicopter landing pads and parking lots, that thousands of sandbags had been filled with dirt and archaeological fragments, that a 2600-year-old brick pavement had been crushed by tanks, and that the moulded bricks of dragons had been gouged out from the Ishtar Gate by soldiers collecting souvenirs. I heard that the ruins of the Sumerian cities of Umma, Umm al-Akareb, Larsa and Tello were completely destroyed and were now landscapes of craters.

Diary: a poetry festival in Chengdu

Eliot Weinberger, 22 September 2005

I had vowed never to go to China until my friend, the exiled poet Bei Dao, was able to travel freely there, but when I received a sudden invitation to the Century City First International Poetry Festival in Chengdu, he urged me on: ‘If you wait for me, you’ll be too old to enjoy it.’

The international dimension of the festival was to be limited to two Americans. Luckily,...

Diary: Next stop, Forbidden City

Eliot Weinberger, 23 June 2005

In 1969, the Cultural Revolution sent Gu Cheng’s family into the salt desert of Shandong Province to herd pigs. The locals spoke a dialect he could not understand, and in his isolation he became absorbed in the natural world: ‘Nature’s voice became language in my heart. That was happiness.’ His favourite book was Jean-Henri Fabre’s 19th-century entomological notes and drawings; he collected insects and watched birds; he wrote poems in the sand with a twig, poems with titles like ‘The Nameless Little Flower’ or ‘The Dream of the White Cloud’. Like John Clare, he found his poems in the fields and wrote them down. ‘I heard a mysterious sound in nature,’ he later said. ‘That sound became poetry in my life.’ He wrote that his ‘earliest experience of the nature of poetry’ was a raindrop. His childhood was a vision of paradise from which he never recuperated.

What I Heard about Iraq: watch and listen

Eliot Weinberger, 3 February 2005

I heard the vice-president say: ‘By any standard of even the most dazzling charges in military history, the Germans in the Ardennes in the spring of 1940 or Patton’s romp in July of 1944, the present race to Baghdad is unprecedented in its speed and daring and in the lightness of casualties.’ I heard Colonel David Hackworth say: ‘Hey diddle diddle, it’s straight up the middle!’ I heard the director of a hospital in Baghdad say: ‘The whole hospital is an emergency room. The nature of the injuries is so severe – one body without a head, someone else with their abdomen ripped open.’ I heard an American soldier say: ‘There’s a picture of the World Trade Center hanging up by my bed and I keep one in my Kevlar. Every time I feel sorry for these people I look at that. I think: “They hit us at home and now it’s our turn.”’

Name the days: Holy Spirits

Marina Warner, 4 February 2021

The strangeness of such religious material again and again makes it incomprehensible that such figures should be considered holy, but if you look instead at their adventures as a remedy for the drudgery,...

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Real isn’t real: Octavio Paz

Michael Wood, 4 July 2013

In 1950 André Breton published a prose poem by Octavio Paz in a surrealist anthology. He thought one line in the work was rather weak and asked Paz to remove it. Paz agreed about the line...

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Spanish Practices

Edwin Williamson, 18 May 1989

Octavio Paz occupies a unique position in the Spanish-speaking world. He is the foremost living poet of the language as well as being one of the most authoritative interpreters of the Hispanic...

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Goodbye to Borges

John Sturrock, 7 August 1986

Borges died on 14 June, in Geneva – which bare fact virtually calls for an ‘English papers please copy,’ as they used to say, so complacently scant and grudging were the notices...

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