Edward Timms

Edward Timms is the author of Karl Kraus: Apocalyptic Satirist and co-editor of Visions and Blueprints: Avant-Garde Culture and Radical Politics in Early 20th-Century Europe, a collection of essays to be published by Manchester University Press. He is a fellow of Gonville and Caius College, Cambridge.

Mr Lukacs changes trains

Edward Timms, 19 February 1987

When Georg Lukacs joined the Hungarian Communist Party in December 1918, his admirers were taken by surprise. This gifted young man from an affluent Jewish background, then aged 33, had previously devoted himself exclusively to cultural pursuits. After coming into prominence around 1905 as one of the instigators of the Hungarian intellectual revival, he had gone on to make his mark in Germany as a cultural theorist in the tradition of Dilthey, Simmel and Weber. When he settled in Heidelberg in 1912, he seemed set for a distinguished university career. His early inquiries had focused on the relationship between spiritual experience and aesthetic form, summed up in the title of his influential collection of essays, Die Seele und die Formen (1911). His writings displayed a lively awareness of the dependence of literary forms on sociological variables. But there was no sign of a Marxist (let alone revolutionary) perspective.

Letter

Ideologues

20 February 1986

SIR: In his magisterial article Peter Pulzer asks whether ‘standards have plummeted’ at Cambridge since he was taught History there. May I point out that the author of the book which provoked this question, Roger Scruton, holds a post not at Cambridge but in the University of London. Pulzer rightly ridicules Scruton’s reference to ‘the nihilistic satire of Karl Kraus, the vampiric screaming...

Women: what are they for?

Adam Phillips, 4 January 1996

For anyone interested in the history of psychoanalysis, or indeed, in how people start having new kinds of conversation, The Minutes of the Vienna Psychoanalytic Society are an inexhaustible...

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What did Freud want?

Rosemary Dinnage, 3 December 1992

The sharpest comment in Freud’s Women – a huge book, but consistently readable – comes at the end. It would be eccentric, say the authors, to conclude after five hundred-odd...

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Modernity

George Steiner, 5 May 1988

Memories would seem to come in waves. Just now the Twenties and the Thirties have taken on a vivid presence. Their music, their arts, their decorative styles and fashions are being rediscovered...

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How to be Viennese

Adam Phillips, 5 March 1987

In Fin de Siècle Vienna, politics had become the least convincing of the performing arts. Life, Kraus wrote, had become an effort that deserved a better cause. By the turn of the century,...

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