Daniel Soar is an editor at the LRB.
Food is money. Or it can be, if you know how to transform it into profit. Ajinomoto Co. is Japan’s biggest producer of condiments and seasonings, with annual revenues of ¥1 trillion, or around $9 billion. Its most successful product by far – on shelves across East Asia since 1908 – is Aji-No-Moto, often sold in a little glass bottle with a trademark red label....
The usual four white walls, but in each corner a screen, surveilling the gallery. Normally the display is pale pink but at times it flicks to grey, indicating that someone somewhere is watching. It could be you, at home, clicking on the website for Octopus (2020), the installation project by Trevor Paglen that allowed the stay-at-homes, the voyeurs, the disabled, the bored, the ill, the...
Sometimes another world is there – you glimpse it out of the corner of your eye. In 1965 an engineer called Ivan Sutherland – he had effectively invented the whole field of computer graphics by writing a program called Sketchpad which allowed users to draw directly onto a screen – had a vision of the future. ‘The ultimate display,’ he wrote in a conference...
Sometimes you just have to think of England. It may be embarrassing, it may be awful, but it exists. Max Porter’s Lanny – his second novel – is partly about an idea of England. It’s set in an unnamed village, ‘fewer than fifty redbrick cottages’, within commuting distance of London, a place that is ‘a cruciform grid with the twin hearts of church...
Daniel Soar talks to Tom about Ian McEwan’s latest novel, Lessons – how it fits with his earlier fiction, the relationship between world events and private histories, and McEwan’s addiction to...
Daniel Soar talks to Thomas Jones about the sixth taste, variously translated as ‘mouthfulness’, ‘thickness’ and ‘lingeringness’, apparently discovered by the Japanese company Ajinomoto,...
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