Blake Morrison

Blake Morrison is professor of creative and life writing at Goldsmiths. Two Sisters, a memoir, is out now.

Motherly Protuberances: Simon Okotie

Blake Morrison, 9 September 2021

‘Life is not a series of gig-lamps symmetrically arranged,’ Virginia Woolf wrote, disparaging the kind of fiction associated with Arnold Bennett, John Galsworthy and H.G. Wells. It’s a proposition that might appeal to Simon Okotie. But before deciding whether it has merit he would want to see whether an apparently symmetrical arrangement of gig-lamps might not, on close...

Why do it, Sarah? ‘The Glass Kingdom’

Blake Morrison, 18 March 2021

Aprivileged Westerner​ arrives in a foreign country – for a jaunt or a holiday or to escape the past. Through a naive or arrogant disregard for the indigenous culture, he or (just as often) she runs into serious trouble, implicated in a death for which, eventually, a debt must be paid. The setting is luxurious, the lifestyle hedonistic, the climate oppressively hot. Prodigious amounts...

The Smell of Blood: Sarah Moss

Blake Morrison, 13 August 2020

‘All day​ it has rained,’ goes a poem written by Alun Lewis in 1941, while he was stationed with the Royal Engineers in Hampshire, ready for war but not yet called to action. It’s a poem about being bored and being grateful for the boredom since worse is to come. ‘We talked of girls and dropping bombs on Rome.’ Beyond the humdrum detail – groundsheets,...

Poem: ‘Muntjac’

Blake Morrison, 4 June 2020

How would you feel if a muntjac walked in? Would you greet it as an exotic Or fret about it gnawing the fruit trees? Take your time: the answer will say as much About you as the shade of your nail polish.After that we can go on a cycle ride.I suggest you play safe and wear a helmet,But we’ll forget the hi-vis lycra –Last time it caused a panic at the pig...

Early on​ in This Mournable Body, a skimpily dressed woman in ‘sky-high heels’ falls backwards onto muddy ground while trying to climb into a crowded Harare minibus. Nobody comes to her aid. Instead, she’s jeered at. Her offence is hubris, or what the crowd takes to be hubris: ‘Who does she think she is? Let her have it.’ Objects are thrown, misogynistic insults...

Taking Flight: Blake Morrison

Thomas Jones, 7 September 2000

Towards the end of And When Did You Last See your Father? (1993), Blake Morrison says:Stand them up against grief, and even the greatest poems, the greatest paintings, the greatest novels...

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Boxes of Tissues

Hilary Mantel, 6 March 1997

Blake Morrison begins his account of the murder of James Bulger with a delicate diversion into the story of the Children’s Crusade. The year 1212: at Saint-Denis, a boy of 12 begins to...

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The Synaptic Years

Jenny Diski, 24 June 1993

It’s a race against time, but, as this century totters to its close, we might, in the final few years, catch up with the arithmetic and discover that it’s the 20th century we’ve...

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Martian Arts

Jonathan Raban, 23 July 1987

In 1972 the final issue of Ian Hamilton’s Review was given over to a symposium on ‘The State of Poetry’. Only fifteen years on, it has the flavour of a yellowed historical...

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Players, please

Jonathan Bate, 6 December 1984

The Great War was the war of the great war poets. Was ‘the war to end all wars’ also the war to end all war poetry? The best part of Jon Stallworthy’s introduction to his Oxford...

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Social Arrangements

John Bayley, 30 December 1982

‘New’ poetry can mean two things. When Ezra Pound said ‘make it new’ he was willing the advent of Modernism, the birth of a consciousness transformed by the...

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Moments

Marilyn Butler, 2 September 1982

It is a current preoccupation on the Left, more fashionable now among many students of English than Post-Structuralism, that English Literature as an academic subject is a conspiracy of the...

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It seemed to be happening only yesterday, but Blake Morrison was born in 1950, and for him the Movement is something you have to work on in a library. So it suddenly comes to seem rather remote,...

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