Blake Morrison is the author of the memoirs When Did You Last See Your Father? and Two Sisters.
Early on in This Mournable Body, a skimpily dressed woman in ‘sky-high heels’ falls backwards onto muddy ground while trying to climb into a crowded Harare minibus. Nobody comes to her aid. Instead, she’s jeered at. Her offence is hubris, or what the crowd takes to be hubris: ‘Who does she think she is? Let her have it.’ Objects are thrown, misogynistic insults...
Why has so little of Walter Kempowski’s work appeared in English? In Germany he published forty-odd books but only two of his novels were translated into English during his lifetime: Aus grosser Zeit (Days of Greatness) in 1978 and Hundstage (Dog Days – not to be confused with Günter Grass’s Hundejahre, Dog Years) ten years later. There was also a collection of...
Confessional writers stake everything on their truth-telling. ‘I have displayed myself as I was,’ Rousseau says, promising ‘a portrait in every way true to nature’, a claim echoed by W.N.P. Barbellion when he writes: ‘My journal keeps open house to every kind of happening in my soul.’ But Rousseau was guilty of certain economies and the last words of The...
If his English teacher hadn’t been so snootily discouraging, it’s unlikely that Tony Harrison would have gone on to write as much as he has: by my calculation, 13 plays, 11 films and twenty or more poetry collections and pamphlets, not to mention the essays and addresses assembled in Edith Hall’s edition of his selected prose. That teacher, commemorated but unnamed in the poem ‘Them & [uz]’, was so dismayed by Harrison’s ‘barbarian’ recital of Keats’s ‘Ode to a Nightingale’ in a Northern working-class accent that he called a halt after only four words.
All fathers are unknowable to their sons but some are more mysterious than others. The Victorian stereotype was a whiskered patriarch behind a study door, the son, barred from entry, tiptoeing past. Now the door is open, and the study has been converted to a playroom, and fathers are expected to be on hand. Even so, inaccessibility remains a dominant motif: the workaholic dad, out early...
Towards the end of And When Did You Last See your Father? (1993), Blake Morrison says:Stand them up against grief, and even the greatest poems, the greatest paintings, the greatest novels...
Blake Morrison begins his account of the murder of James Bulger with a delicate diversion into the story of the Children’s Crusade. The year 1212: at Saint-Denis, a boy of 12 begins to...
It’s a race against time, but, as this century totters to its close, we might, in the final few years, catch up with the arithmetic and discover that it’s the 20th century we’ve...
In 1972 the final issue of Ian Hamilton’s Review was given over to a symposium on ‘The State of Poetry’. Only fifteen years on, it has the flavour of a yellowed historical...
The Great War was the war of the great war poets. Was ‘the war to end all wars’ also the war to end all war poetry? The best part of Jon Stallworthy’s introduction to his Oxford...
‘New’ poetry can mean two things. When Ezra Pound said ‘make it new’ he was willing the advent of Modernism, the birth of a consciousness transformed by the...
It is a current preoccupation on the Left, more fashionable now among many students of English than Post-Structuralism, that English Literature as an academic subject is a conspiracy of the...
It seemed to be happening only yesterday, but Blake Morrison was born in 1950, and for him the Movement is something you have to work on in a library. So it suddenly comes to seem rather remote,...
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