Anna Aslanyan

Anna Aslanyan’s book, Dancing on Ropes: Translators and the Balance of History, came out in 2021.

From The Blog
31 December 2024

‘Thieves are getting smarter,’ a bike mechanic told me. ‘They know what’s expensive and they look for these parts.’ He showed me a pair of gear shifters worth £900, which could be removed relatively easily: you just need to unscrew the stem bolt and cut through the brake cables. That’s what happened to my bicycle last year (my shifters would have fetched much less than £900). The mechanic never parks his bike outside: ‘I don’t even have a lock.’

From The Blog
13 November 2024

‘Even blindfolded,’ Emanuel Litvinoff wrote of the interwar East End in Journey Through a Small Planet (1972), ‘I’d have known where we were by the smell of the different streets – reek of rotten fruit: Spitalfields; scent of tobacco warehouses: Commercial Street … Hanbury Street and the pungency of beer from Charrington’s brewery. Then Brick Lane, with half the women from our street jostling among the market stalls.’

From The Blog
7 April 2022

A stencil portrait by Stewy, first painted on the wall of Newington Green Meeting House in 2013, was removed a few years ago during renovations. This week the artist returned to put it back.

From The Blog
11 March 2022

Spreading ‘false’ information about Russia’s military, according to a law passed by the Kremlin last week, can put you in prison for fifteen years. For taking part in an unauthorised protest, you are likely to get fifteen days the first time; repeat offenders face up to five years behind bars. Many of the Russians taking to the streets in protest against the invasion of Ukraine have risked their freedom before. A decade ago, thousands were arrested at large-scale anti-government demonstrations. Some got two weeks; others, two years.

From The Blog
28 May 2020

The 1909 Cinematograph Act used the term ‘inflammable films’ in a literal sense – cellulose nitrate catches fire easily – but some local authorities interpreted it to mean ‘morally dangerous’, and it led to censorship. Still, the act wasn’t as confusing as the latest flurry of communication from the British government. One of its requirements was that exhibitors provide fire exits, which led to the emergence of purpose-built picture houses. Many of the buildings are still standing, though few of them are still cinemas.

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