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Boris Johnson’s First Year

Ferdinand Mount

Short Cuts: In the Bunker

Thomas Jones

Theban Power

James Romm

What can the WHO do?

James Meek

At the Type Archive

Alice Spawls

Where the Poor Lived

Alison Light

At the Movies: ‘Da 5 Bloods’

Michael Wood

Cultural Pillaging

Neal Ascherson

Jenny Offill

Adam Mars-Jones

Shakespeare v. the English

Michael Dobson

Poem: ‘Now Is the Cool of the Day’

Maureen N. McLane

Tativille

David Trotter

Consider the Hare

Katherine Rundell

How Should I Refer to You?

Amia Srinivasan

Poem: ‘Field Crickets (Gryllus campestris)’

Fiona Benson

Diary: In Mali

Rahmane Idrissa

LufthansaJohn Tranter
Close
Close

Flying up a valley in the Alps where the rock
rushes past like a broken diorama
I’m struck by an acute feeling of precision –
the way the wing-tips flex, just a little
as the German crew adjust the tilt of the sky and
bank us all into a minor course correction
while the turbo-props gulp at the mist
with their old-fashioned thirsty thunder – or
you notice how the hostess, perfecting a smile
as she offers you a dozen drinks, enacts what is
almost a craft: Technical Drawing, for example,
a subject where desire and function, in the hands
of a Dürer, can force a thousand fine ink lines
to bite into the doubts of an epoch, spelling
Humanism. Those ice reefs repeat the motto
whispered by the snow-drifts on the north side
of the woods and model villages: the sun
has a favourite leaning, and the Nordic flaw
is a glow alcohol can fan into a flame.
And what is this truth that holds the grey
shaking metal whole while we believe in it?
The radar keeps its sweeping intermittent promises
speaking metaphysics on the phosphor screen;
our faith is sad and practical, and leads back
to our bodies, to the smile behind the drink
trolley and her white knuckles as the plane drops
a hundred feet. The sun slanting through a porthole
blitzes the ice-blocks in my glass of lemonade
and splinters light across the cabin ceiling.
No, two drinks – one for me, one for Katharina
sleeping somewhere – suddenly the Captain
lifts us up and over the final wall
explaining roads, a town, a distant lake
as a dictionary of shelter – sleeping elsewhere
under a night sky growing bright with stars.

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