‘Fetch me the handkerchief; my mind misgives …’
Othello (III, iv, 89)
 In the dormitory, boys laced up
 their rugby boots like parcels,
 knowing the mud outside would add
 that final touch of scaling wax.
 It’s taken them twenty years
 to be delivered by an accident:
 I see a pint of gritty mussels
 for sale and think of wet boots
 on the changing-room floor.
 The fishmonger’s cold red hands
 are locked in a scrum and I feel
 a strange nostalgie de la boue,
 for mud stamped to a solitaire board,
 as if a puzzle were suddenly solved.
 My hair still wet from the shower,
 I’m going again to the linen room.
 Daylight glows under a door
 like the bar of an electric fire.
 Inside are six ironed handkerchiefs
 that represent home to a boy
 for whom almost anything will do,
 except the matron’s labrador
 bending by the bicycle sheds
 to its inch of lipstick
 the colour of rhubarb. He comes
 instead to the linen room, this boy
 whose heart is like a bathing-suit,
 heavy with sand and sally water,
five hundred miles from the sea.
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