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“... prurience. This makes Rusbridger’s non-event of a book easily forgotten. In the case of William Eberhard and Bettyann Kevles, the sense of linguistic imprisonment is more important, raises much more interesting questions. For what their books are about, as against how they talk about it, matters. And particularly in ...”

“... softly in response to the scaly protuberances of the extra-terrestrial being. Put yourself in William Kotzwinkle’s shoes. How do you actually go about making a novel from the screenplay of a colossally successful film? Who on earth (or in intra-terrestrial space) is your public? Is it the people who, by some quite unexplainable oversight, have happened ...”