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How Movies End

David Thomson: John Boorman’s Quiet Ending, 20 February 2020

Conclusions 
by John Boorman.
Faber, 237 pp., £20, February, 978 0 571 35379 8
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... still editing the Faber series Projections (13 volumes in all, aided by the late Matthew Evans and Walter Donohue), which was an unprecedented forum for filmmakers to talk at length about what they do. I co-edited Volume 4, with Tom Luddy, only because Boorman was occupied at the time shooting Beyond Rangoon (1995).Boorman may have seemed established, but ...

Hitchcocko-Hawksien

Christopher Prendergast, 5 June 1997

Projections 7 
edited by John Boorman and Walter Donohue.
Faber, 308 pp., £11.99, April 1997, 0 571 19033 2
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Cahiers du cinema. Vol. I: The Fifties. Neo-Realism, Hollywood, New Wave 
edited by Jim Hillier.
Routledge, 312 pp., £65, September 1996, 0 415 15105 8
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Cahiers du cinema. Vol. II: The Sixties. New Wave, New Cinema, Re-evaluating Hollywood 
edited by Jim Hillier.
Routledge, 363 pp., £65, September 1996, 0 415 15106 6
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Cahiers du cinema. Vol. III: 1969-72. The Politics of Representation 
edited by Nick Browne.
Routledge, 352 pp., £65, September 1996, 0 415 02987 2
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... In Martin Scorsese’s Casino, Ace Rothstein (Robert De Niro) remarks that Las Vegas is about ‘selling people dreams for cash’ and, in a memorable elaboration of this cliché, that ‘it does for us what Lourdes does for hunchbacks and cripples.’ Much the same has been said about the culture of cinema, and how Scorsese’s film stands in relation to its subject is an interesting question ...

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