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“... do with his disreputable and desperate life, traced in part from police records. Leo Bersani and Ulysse Dutoit, who turned to Caravaggio from studies of Beckett, Rothko and Resnais, assure us that ‘he truly was – even more, say, than one of the great social pariahs of our own time, Jean Genet – an outlaw.’ Peter Robb is well aware that it was ...”

“... killing in war, which the film portrays ‘without qualification’, according to Leo Bersani and Ulysse Dutoit in Forms of Being (2004), ‘as a massive manifestation of human evil, and the only question asked about it is how it got into the world. Any historical answer to the question is simply ignored.’ But to ignore history and see war in the heart ...”